Derek Walcott's Encounter with Homer: Landscape, History, and Poetic Voice in Omeros

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Rachel D. Friedman (Professor of Greek and Roman Studies, Vassar College)

Derek Walcott's Encounter with Homer

Landscape, History, and Poetic Voice in Omeros

Rachel D. Friedman (Professor of Greek and Roman Studies, Vassar College)

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English

Oxford University Press
30 May 2024

Literary studies: classical, early & medieval; Literary studies: post-colonial literature; Literary studies: poetry & poets

Series: Classical Presences

Derek Walcott's Encounter with Homer puts Derek Walcott's epic poem Omeros in conversation with Homer, especially the Odyssey, to show how reading them against each other changes our understanding of the poems of both poets. It explores Walcott's conscious use of the Odyssey and the Homeric persona of Omeros to explore his own deepening relationship with his craft and his identity as a Caribbean poet. Walcott's ability to serve as the vessel of history for his people and their landscapes rests on his transformation into (and self-perception as) Homer's contemporary and equal. Central to the project of Omeros is thus an account of his shift from a diachronic to synchronic relationship with Homer: over the course of the poem his poetic persona, the ""Poet"", and Homer come to occupy the same temporality and creative space.

By locating the poems of Walcott and Homer in a zone of vibrant and unexpected encounter, Rachel Friedman demonstrates how they can be seen as mutually informing texts, each made richer in the presence of the other. The argument follows two intertwined thematic threads. The first focuses on the poems' landscapes and seascapes and the ways in which Omeros reworks the Odyssey's affective geography. While the Odyssey represents the sea as a dangerous space and valorizes life on land, Walcott reverses this trajectory from sea to land, bearing witness to the painful histories carried in the St Lucian soil and relocating homecoming to the space of the Caribbean Sea, a space which accommodates diasporic histories and the imagining of fluid forms of emplacement. The second thread focuses on Walcott's poetic persona: his journey in and out of the poem and his positioning of himself as a ""tribal poet"" like Homer. Central to the project of Omeros is the Poet's account of the processes by which he becomes the poet who can adequately give voice to the histories of his people and the archipelago they inhabit.

By: Rachel D. Friedman (Professor of Greek and Roman Studies Vassar College)
Imprint: Oxford University Press
Country of Publication: United Kingdom
Dimensions: Height: 223mm, Width: 145mm, Spine: 15mm
Weight: 564g
ISBN: 9780198802549
ISBN 10: 0198802544
Series: Classical Presences
Pages: 352
Publication Date: 30 May 2024
Audience: College/higher education , Further / Higher Education
Format: Hardback
Publisher's Status: Active

Introduction PART ONE: ODYSSEYS 1: An Odyssean Poem 2: Roots and Routes PART TWO: THE ISLANDERS 3: Achille 4: Philoctete 5: Plunkett PART THREE: THE POET 6: The Tribal Poet 7: Homeric Shadow, H/omeric Light

Rachel D. Friedman is a Professor of Greek and Roman Studies at Vassar College, where she teaches classes in Greek language and literature and classical reception. She has published articles on Herodotus, Greek epic and tragedy, and their postcolonial reception.