Dead Voice

Law, Philosophy, and Fiction in the Iberian Middle Ages

Jesús D. Rodríguez-Velasco, Ruth Mazo Karras

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English

University of Pennsylvania Press
24 January 2020

Literature: history & criticism; European history; Medieval history; Philosophy; Ecclesiastical (canon) law

Series: The Middle Ages Series

An exploration of the thirteenth-century law code known as Siete Partidas

Conceived and promulgated by Alfonso X, King of Castile and Leon (r. 1252-1282), and created by a workshop of lawyers, legal scholars, and others, the set of books known as the Siete Partidas is both a work of legal theory and a legislative document designed to offer practical guidelines for the rendering of legal decisions and the management of good governance. Yet for all its practical reach, which extended over centuries and as far as the Spanish New World, it is an unusual text, argues Jesus R. Velasco, one that introduces canon and ecclesiastical law in the vernacular for explicitly secular purposes, that embraces intellectual disciplines and fictional techniques that normally lie outside legal science, and that cultivates rather than shuns perplexity.

In Dead Voice, Velasco analyzes the process of the Siete Partidas's codification and the ways in which different cultural, religious, and legal traditions that existed on the Iberian Peninsula during the Middle Ages were combined in its innovative construction. In particular, he pays special attention to the concept of ""dead voice,"" the art of writing the law in the vernacular of its clients as well as in the language of legal professionals. He offers an integrated reading of the Siete Partidas, exploring such matters as the production, transmission, and control of the material text; the collaboration between sovereignty and jurisdiction to define the environment where law applies; a rare legislation of friendship; and the use of legislation to characterize the people as ""the soul of the kingdom,"" endowed with the responsibility of judging the stability of the political space.

Presenting case studies beyond the Siete Partidas that demonstrate the incorporation of philosophical and fictional elements in the construction of law, Velasco reveals the legal processes that configured novel definitions of a subject and a people.

By: Jesús D. Rodríguez-Velasco
Series edited by: Ruth Mazo Karras
Imprint: University of Pennsylvania Press
Country of Publication: United States
Dimensions: Height: 229mm, Width: 152mm,
ISBN: 9780812251869
ISBN 10: 0812251865
Series: The Middle Ages Series
Pages: 256
Publication Date: 24 January 2020
Audience: College/higher education , Primary , Further / Higher Education
Format: Hardback
Publisher's Status: Unspecified

Introduction Chapter 1. Dead Voice Chapter 2. Vernacular Jurisdiction Chapter 3. Revenant Manuscripts Chapter 4. Legislating Friendship Chapter 5. Sensitive Souls Conclusion Notes Bibliography Index Acknowledgments

Jesus R. Velasco has taught at the University of California, Berkeley, Columbia University, and Yale University and is author of Order and Chivalry: Knighthood and Citizenship in Late Medieval Castile, also available from the University of Pennsylvania Press.

Reviews for Dead Voice: Law, Philosophy, and Fiction in the Iberian Middle Ages

Combining rigorous scholarship, a capacious interdisciplinary approach, and a rendering of his findings in a haunting poetical language, Jesus Velasco's book is the most insightful study of the Siete partidas written in a long time . . . Dead Voice is a special book, to be read with the same pleasure one feels when one savors veryfinewine. It is a shining example of how tackling a topic from an erudite and multidisciplinary approach can produce a great scholarly work that is also movingly beautiful. -Speculum Jesus Velasco's remarkable book on the Siete Partidas provides a number of unique and intriguing perspectives on the Alfonsine legal masterpiece. The author clearly states that he does not intend to write a legal history-the relationships of manuscripts, sources, specific translations etc.-but rather a cultural history, a rethinking of the Siete Partidas as a cultural product with political consequences. -Bulletin of Spanish Studies Bringing together a multitude of discourses with subtlety and deftness, Jesus R. Velasco undertakes a rare interpretation of the Siete Partidas and offers far-reaching and compelling conclusions. -Simone Pinet, Cornell University In his sophisticated literary treatment of the Siete Partidas, Jesus R. Velasco shifts the disciplinary frame away from legal history in a move that will be welcomed by scholars interested in medieval law and sovereignty. -Karl Shoemaker, University of Wisconsin, Madison