Curating Human Rights conceptualizes the human rights museum as a dynamic cultural-political genre that interacts with multiple social activist, state and corporate stakeholders.
Drawing upon ethnographic and archival research on seven human rights museums in six countries, Ostow examines specifically what these museums do when they set out, or purport, to promote human rights. This includes the stories they visualize, display strategies, educational and other activities, internal structures, the way they position their visitors, the parameters of the human rights they address and the politics of pleasing their multiple stakeholders. The book also explores the contradictions and political and corporate pressure that contributes to foregrounding some human rights violations and ignoring or obscuring others. Ostow also examines the reactions to each museum in the local and national press, and by local visitors, politicians, donors and other stakeholders. The book ends with a discussion of the success and limitations of museums for promoting human rights, and policy recommendations to enhance their effectiveness. Curating Human Rights considers whether these museums are appropriate for, and effective at, promoting human rights - and if they address the pitfalls that have been identified.
Curating Human Rights provides new perspectives on the field of human rights education and activism and will be of interest to academics and students engaged in the study of museums, human rights, culture and communication.
By:
Robin Ostow
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions:
Height: 234mm,
Width: 156mm,
ISBN: 9781032642833
ISBN 10: 1032642831
Series: Rethinking Memory, Representation and Human Rights
Pages: 232
Publication Date: 20 November 2024
Audience:
College/higher education
,
Professional and scholarly
,
Primary
,
Undergraduate
Format: Hardback
Publisher's Status: Forthcoming
1. Introduction: human rights and the museums that display them; 2. Displaying the transatlantic slave trade: from cultural nationalism to universal human rights on the West Coast of Africa. The Maison des Esclaves, Gorée Island, Senegal 1966-2023; 3. Reimagining citizenship and human rights in a museum of land restitution: District Six Museum, Cape Town, South Africa; 4. The Museum as a laboratory for a human rights-based future: The International Slavery Museum, Liverpool, UK; 5. From containing memories of past violence to supporting a human rights-based revolution: The Museo de la Memoria y los Derechos Humanos, Santiago, Chile: 2006 – 2023; 6. Corporate citizenship and musealizing human rights: Coca-Cola and the Center for Civil and Human Rights, Atlanta, Georgia, US; 7. Decolonization and Musealizing Human Rights on the Canadian Prairie: The Canadian Museum for Human Rights and The Museum for Canadian Human Rights Violations 2003 – 2023; 8. Human Rights Museums: Their contributions and achievements in promoting human rights. Their limitations and their challenges in the coming years
Robin Ostow is affiliated with the Sociology Department at Wilfrid Laurier University, in Ontario, Canada. She has published extensively on national museums, Jewish museums, immigration museums and human rights museums in Europe, the Americas and Australia. Most recently, her work has focused on these museums’ displays and their relations with the communities around them.
Reviews for Curating Human Rights: Displaying, Combating and Obscuring Human Rights Violations in Museums
""The literature on genocide and human rights museums is in its infancy. In its historical reconstruction of six museums located in all corners of the globe, Curating Human Rights lays a massive foundation for anyone interested in the display of atrocity and trauma in the service of universal values.They will not be able to go past Robin Ostow's argument that the path from the former to the latter is crooked and uneven. A major accomplishment."" A. Dirk Moses, Anne and Bernard Spitzer Professor of International Relations, City College of New York, United States
