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Stuart Klawans was the longtime film critic for the Nation, for which he received a National Magazine Award. He is the author of Film Follies: The Cinema Out of Order (1999) and has contributed to the New York Times, the Times Literary Supplement, Film Comment, and Parnassus: Poetry in Review.
From one of our finest critics, an elegant and deftly argued contribution to our appreciation of the great and glorious Preston Sturges. Stuart Klawans teases out inspired connections in the culture surrounding the director-the books, paintings, and legends that fed the artistry of a man who refused to call himself an artist. The kind of book that makes you want to dive back into the films for fresh stimulation and delight. -- Molly Haskell, film critic and author Stuart Klawans has extended and upended the field with takes that are as witty and audacious as his subject. One has only to read his wry unpacking of the contradictions in Sullivan's Travels or his sympathetic dissections of my own favorites, The Lady Eve and Unfaithfully Yours. Klawans really knows these films, has a nuanced understanding of cinema in general, writes beautifully, and is the best, most trustworthy guide imaginable to the genius of Preston Sturges. A triumph. -- Phillip Lopate, author of <i>Totally, Tenderly, Tragically</i> Stuart Klawans's deep dive into the films of Preston Sturges is a gift for cinephiles. Whether providing context or close analysis, his tone is witty and accessible as well as erudite and profound. -- Annette Insdorf, author of <i>Cinematic Overtures: How to Read Opening Scenes</i> Nobody wrote better screenplays than Preston Sturges, whose dialogue remains among the most sparkling ever committed to the screen. Yet, until now, his achievements as a visual artist have been overlooked. Klawans's wonderful new study has finally remedied that, demonstrating that Sturges was an artist as skilled with the camera as he was with a typewriter. -- Richard Pena, director emeritus, New York Film Festival, and professor of film and media studies, Columbia University [A] portrait of a director with a gift for character development and 'head-spinning dialogue executed at high speed' by an author with a keen critical eye and plenty of flair in his own writing. Film buffs will relish this. * Publishers Weekly * It's obvious Klawans has pored over Sturges's films. After reading his thoughtful analyses, film buffs will want to rewatch them, armed with new insights. * Library Journal, starred review * [Klawans] carefully shows how these complicated comedies work, exploring what one might call Sturges's 'moral universe,' which can be more unforgiving toward 1940s America than the surface froth suggests. . . The author deserves admiration for taking Sturges's comedy seriously. * Wall Street Journal * A perceptive, exceptionally well-composed and earnest evaluation. * Film International * [An] incisive, compelling, and spirited analysis of the screwball maestro's life and oeuvre. * The Arts Fuse * The book is both a compelling biography of Sturges and a close read of his films, and Klawans writes with great wit and insight. * The Film Stage * An invaluable, in-depth examination of the style and substance of 10 of Sturges' finest films. * Pop Culture Classics * Crooked, but Never Common brings new perspective to old movies that are in many minds better remembered for their motley assortments of expertly deployed character actors-among them William Demarest, Franklin Pangborn, Jimmy Conlin, and Eugene Pallette-than for their depth and magnificent construction. * Air Mail * A well-argued read for Sturges connoisseurs. * Total Film * A fine book by one of the best critics of in the country. -- Antonio Monda * La Repubblica *
