Claudio Monteverdi’s Venetian Operas

Sources, Performance, Interpretation

Ellen Rosand, Stefano La Via, University of Massachusetts

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English

Routledge
01 July 2022

Performance art; Theatre Studies; Baroque music (c 1600 to c 1750); Opera; Media studies

Series: Ashgate Interdisciplinary Studies in Opera

Claudio Monteverdi’s Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi’s late operas from an interdisciplinary perspective. The premise of the volume is the idea that constructive dialogue between musicologists and musicians, stage directors and theater historians, as well as philologists and literary critics can shed new light on Monteverdi’s two Venetian operas (and their respective librettos, by Badoaro and Busenello), not only at the levels of textual criticism, historical exegesis, and dramaturgy, but also with regard to concrete choices of performance, staging, and mise-en-scène. Following an Introduction setting up the interdisciplinary agenda, the volume comprises two main parts: ‘Contexts and Sources’ deals with the historical, philosophical, and aesthetic contexts of the works - librettos and scores; 'Performance and Interpretation’ offers critical and historical insights regarding the casting, singing, reciting, staging, and conducting of the two operas. This volume will appeal to scholars and researchers in Opera Studies and Music History as well as be of interest to early music performers and all those involved with presenting opera on stage.

Edited by: Ellen Rosand, Stefano La Via
Series edited by: University of Massachusetts
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 566g
ISBN: 9780367191962
ISBN 10: 0367191962
Series: Ashgate Interdisciplinary Studies in Opera
Pages: 286
Publication Date: 01 July 2022
Audience: College/higher education , Primary , A / AS level
Format: Hardback
Publisher's Status: Active

"Ellen Rosand, George A. Saden Professor of Music Emerita at Yale (1992-2014), is the author of Opera in Seventeenth-Century Venice: The Creation of a Genre (1991), and Monteverdi’s Last Operas: A Venetian Trilogy (2007). She also edited Readying Cavalli’s Operas for the Stage (2013), is General Editor of Cavalli Opere, a critical edition of the operas of Francesco Cavalli, and founded the Yale Baroque Opera Project, an undergraduate opera company, in 2006, with the support of a Distinguished Achievement Award from the Andrew W. Mellon Foundation Stefano La Via is Professor of ""Storia della Poesia per musica"" and ""Storia della Canzone d’autore"" at the University of Pavia, Department of Musicology and Cultural Heritage (Cremona). Educated at the Universities of Rome and Princeton, he has published essays on the relationship between poetry and music in various historical periods, with particular reference to 16th-century Madrigal, 17th-/18th-century Opera, Auteur Song in Europe and the Americas."