Julian Horton is Lecturer in Music at University College Dublin. He contributed an essay to The Cambridge Companion to Bruckner (2003) and has also published articles and reviews on Brucknerian topics in Music and Letters and Music Analysis.
From the hardback review: 'Julian Horton has painstakingly explored Bruckner's symphonic output from assorted perspectives - historical, political and psychobiographical. The result is a fascinating reassessment of a unique musical universe. Horton's conclusions - that Bruckner's symphonies embody the conflicts between subjectivity and faith, artifice and innovation, bourgeois secularity and religious authority - are stimulatingly controversial. This is an important and provocative piece of scholarship.' Link From the hardback review: 'Horton's comprehensive grasp contrasts sharply with the dismissive, patronising or misguided comments of many previous writers' Classical Music From the hardback review: 'This is an impressive book and at times an inspiring one. The Bruckner Journal From the hardback review: ' ... important and fascinating ...Horton presents his evidence carefully and skilfully ...the presentation of the books is immaculate and up to CUP's very high standards ... Julian Horton has made a most impressive contribution to what he rightly describers as the 'considerable scholarly impetus that has built up behind Bruckner in recent transatlantic musicology.' Music and Letters From the hardback review: '... a highly valuable contribution to Bruckner scholarship ...' Nineteenth-Century Music Review