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SALES POINTS * #40 in the Millennium SF Masterworks series, a library of the finest science fiction ever written. * Blood Music won the Nebula and Hugo Awards in its original shorter form. * 'One of the few SF writers capable of following where Olaf Stapledon led, beyond the limits of human ambition and geological time' Locus * 'Arthur C. Clarke has his most formidable rival yet' The Times
Expanding one of his splendid short stories (a standout in The Year's Best Science Fiction, 1984), Bear has fashioned a woefully ragged and aimless novel - despite some arresting ideas and images. Genius researcher Vergil Ulam, developing organic microcomputers, hits upon the notion of putting the cell's own DNA to work as a computer; his technique is so successful that computing bacteria become as intelligent as mice. But then Vergil's self-serving boss orders his research shut down - so, to save the experiment, Vergil injects himself with his own computerized blood cells. The cells spread; soon his body's other cells, working in concert, become more intelligent than Vergil himself - beginning to redirect his metabolism to their own ends. And meanwhile Vergil unwittingly infects others with the computing cells, causing them to undergo weird physical transformations and eventually dissolve. . . as they become linked in a vividly described super-organism encompassing plants, animals, even buildings. Unfortunately, however, while some of the original story's concepts remain striking, Bear's additions - uninvolving subplots, vague and unsatisfying explanations - only manage to dilute and obscure. Very disappointing work from a strong talent. (Kirkus Reviews)
