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Marie Darrieussecq is a French writer born in Bayonne in 1969. Her first novel, Pig Tales, was published in 1996 and subsequently translated into thirty-five languages. She has written some fifteen books for adults, including novels, short fiction, a play, and nonfiction works. In 2013 she was awarded both the Prix MUdicis and the Prix des Prix for her novel Men. Being Here, her biography of Paula Modersohn-Becker, was released in 2017. She is a regular contributor to contemporary art magazines in France and Britain and also writes for LibUration and Charlie Hebdo. She lives in Paris.
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} `One of those books that catches you by surprise, Being Here is art history that feels like a beautifully crafted novel...It's effortlessly beautiful, and highlights the ever more important need to tell the stories of women in art.' * AU Review, Top Ten Books of 2017 * `Darrieussecq animates the short life of a passionate German artist with vivid, spare prose...This taut biography, written in the present tense, has the urgency and poignancy of the best novels.' * Suzy Freeman-Greene, Best Books of 2017, Australian Book Review * `In Darrieussecq's hands, Modersohn-Becker's story is both individual and exemplary: a frightening, energising fable.' * Guardian * `Translated elegantly by Penny Hueston, the study retains some of the spacious, if not capacious quality of the French language and its ability to articulate the phenomena of presence and absence-the continued aliveness of the paintings and the sad and sudden death of the painter.' * Conversation * `Poetic and poignant...Being Here positively quivers with life.' * Sydney Morning Herald * `Lyrical and touching... Blending historical fact with imaginative flair, Darrieussecq brings her figures to life, imbuing them with emotion, character, and power...Being Here feels almost effortlessly beautiful, a short work of non-fiction told like a flowing piece of fictional prose.' * AU Review * `Darrieussecq has written this painful story because of her own sorrow at not knowing Paula Modersohn-Becker and of not knowing of her; sorrow, too, at her early death and truncated creativity. Darrieussecq looks squarely at a subject that is often too brutal to explore.' * Monthly * `A vividly empathetic impressionist collage...This lively, attractive book is an excellent introduction to [Modersohn-Becker's] world and her astonishing achievement.' * New Zealand Listener * `Penny Hueston's translation from the original French, reads strangely-and in a good way-like true crime...Heartbreaking.' * West Australian * `An allusive short memoir that reads like a novel.' * Australian * `The internationally celebrated author who illuminates those parts of life other writers cannot or do not want to reach.' * Independent * `A brief, powerful artistic life that went painfully unrewarded-until after the painter's death.' * Julian Barnes, Best Summer Holiday Reads, Guardian UK * `There are few writers who may have changed my perception of the world, but Darrieussecq is one of them.' * The Times * `A luminous tale about the courage of the lone female artist.' * Joan London * `Marie Darrieussecq reads the testament of Modersohn-Becker-the letters, the diaries, and above all the paintings-with a burning intelligence and a fierce hold on what it meant and means to be a woman and an artist.' * J. M. Coetzee *
