Martin Shaw is a writer, storyteller and teacher who lives on Dartmoor. He founded the Oral Tradition and Mythic Life courses at Stanford University, and is director of the Westcountry School of Myth in the UK. He is the author of the award-winning Mythteller trilogy: A Branch from the Lightning Tree, Snowy Tower and Scatterlings. Recent books include Smokehole, Courting the Wild Twin (both published by Chelsea Green), All Those Barbarians, Wolf Milk, Cinderbiter (with Tony Hoagland) and his Lorca translations, Courting the Dawn (with Stephan Harding). Dr Shaw has introduced thousands of people to mythology and how it penetrates modern life. For twenty years, he has been a wilderness rites of passage guide, working with at-risk youth, the sick, returning veterans and many women and men seeking a deeper life.
'A mystical voyage ... a deep descent into Shaw’s inner self' Guardian 'This is the real, hard stuff, brewed from oak, grief, the breath of crows and the blood of God. Drink it if you dare and know that the throb of your own heart is the pulse of a mountain and the clatter in the road the hoofs of Gawain’s horse. Shaw is an alchemist of unique power, vision and downright goodness. There is Shaw and there is everyone else’ Charles Foster, author of The Cry of the Wild, Being a Human and Being a Beast 'Bardskull is not so much a book as an incantation. If you try to follow the story you will end up lost in the forest. Instead you should enter it respectfully, like a cave in an ancient English wood that is reputed to lead to the underworld. Draw your sword: courage is required. But the wodwose and the wyverns that curl out of these pages have come not to destroy but to transfigure. Shockingly, this pagan storyteller entered the dark woods in search of England’s dreaming, and came out having met the one King he did not expect. Like its author, this book is entirely unlike anything else around' Paul Kingsnorth, author of The Wake ‘The pleasures it offers are deep indeed … This is a book that gives permission. In a world that, increasingly, looks to set rigid boundaries around what it is acceptable to think and feel, Shaw’s work comes as relief, like cold clear water from a rushing spring’ Erica Wagner, Sunday Times