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Tim Smolko holds master's degrees in Musicology and Library Science and is Monographs Original Cataloger at the University of Georgia. He is author of Jethro Tull's Thick as a Brick and A Passion Play: Inside Two Long Songs, which won the 2014 Award for Excellence in Historical Recorded Sound Research in Recorded Rock Music from the Association for Recorded Sound Collections. Joanna Smolko holds a PhD in Musicology and is Adjunct Professor of Music at the Hugh Hodgson School of Music at the University of Georgia. She has published journal articles and book chapters and was a contributing editor for the second edition of The Grove Dictionary of American Music. Tim and Joanna live in Athens, Georgia. They have 13-year-old twins Ian and Elanor.
In Atomic Tunes, Tim and Joanna Smolko have written a long-overdue analysis of Cold War popular music which combines insightful analysis of individual songs and popular musical genres expertly embedded within their political and historical contexts. Their discussions of women's voices, of novelty songs, country and gospel music and other categories are balanced in a way that accommodates many different perspectives, both left wing and right. If you lived through the Cold War or approach it from a historical and musicological perspective, the Smolkos, along with the songs they explore, provide what they call a 'visceral sense of what it was like to live through the Cold War.' A very important work.--Russell Reising, University of Toledo professor emeritus of American culture and Asian studies Tim and Joanna Smolko's book is a welcome and well-researched study on the role that the Cold War played in American and British popular music. The Smolkos take on topics such as communism and the Red Scare, civil defense, and nuclear fear in a study that places popular and folk music at the center of its contemporary social history in a way no other book has done before. They consider society, politics, race, and place are at the core for understanding the composition and performance of Cold War popular music, from satire to serious. Their book probes the essential questions we likely didn't know we had about the role of music in one of the most fraught eras in world history.--Reba Wissner, author of Music and the Atomic Bomb on American Television, 1950-1969, Columbus State University In this immaculately researched book, Tim and Joanna Smolko examine how Cold War anxieties shaped songs by an incredibly diverse range of musicians--from earnest folkies and jokey rock 'n' rollers, to long-haired metalheads and political punks. The book's scope and thematic range is impressive, and even the biggest fan of this music will discover new insights--and tunes!--through the authors' in-depth discussions of the musical and social significance of these songs. In addressing a major gap in the burgeoning literature on Cold War-era music-making, Atomic Tunes should be essential reading for historians, musicologists, and fans alike.--Nicholas Tochka, author of Audible States: Socialist Politics and Popular Music in Albania, Head of Musicology and Ethnomusicology at the Melbourne Conservatorium of Music Richly detailed and meticulously researched, Atomic Tunes provides an invaluable contribution to our understanding of Anglo-American popular music in the Cold War era. The book's sweeping survey of songs, ranging from country and comedy to punk and heavy metal, captures all the vivid anxiety, paranoia, fear, fantasy, and dark humor of this vital period of global history, and makes for an endlessly fascinating read.--Theo Cateforis, author of Are We Not New Wave: Modern Pop at the Turn of the 1980s, Associate Professor and Director of Undergraduate Studies in Fine Arts and Music History at Syracuse University Atomic Tunes is unparalleled as a sweeping inquiry into popular music's response to the Cold War and the arms race. Tim and Joanna Smolko deftly combine social and political history with musical analysis, stressing that the words and music mattered as artists and listeners tried to make sense of an anxious and confusing time in world history.--Steve Waksman, author of This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk
