This collection of essays by major scholars in the field explores how the rich intersections between Italy and Spain during the early modern period resulted in a confluence of cultural ideals. Various means of exchange and convergence are explored through two main catalysts: humans—their trips or resettlements—and objects—such as books, paintings, sculptures, and prints. The visual and textual evidence of the transmission of ideas, iconographies and styles are examined, such as triumphal ephemera, treatises on painting, the social status of the artist, collections and their display, church decoration, and funerary monuments, providing a more nuanced understanding of the exchanges of styles, forms and ideals across southern Europe.
Edited by:
Kelley Helmstutler Di Dio (University of Vermont), Tommaso Mozzati Imprint: Routledge Country of Publication: United Kingdom Volume: 2 Dimensions:
Height: 246mm,
Width: 174mm,
Weight: 920g ISBN:9781138605817 ISBN 10: 1138605816 Series:Visual Culture in Early Modernity Pages: 254 Publication Date:03 February 2020 Audience:
College/higher education
,
Primary
,
A / AS level
Format:Hardback Publisher's Status: Active
Kelley Helmstutler Di Dio is Professor of Art History at the University of Vermont, USA. Tommaso Mozzati is Research Professor of the Università degli Studi of Perugia, Italy.
Reviews for Artistic Circulation between Early Modern Spain and Italy
A weighty and impactful contribution... --Renaissance Quarterly