With Art in a Disrupted World, art historian Agata Pietrasik presents a study of artistic practices that emerged in Poland during and after World War II. Pietrasik highlights examples of artworks by a number of Polish-born artists that were created in concentration camps and ghettos, in exile, and during the years of social, political, and cultural disintegration immediately following the war. She draws attention to the ethics of artistic practice as a method of fighting to preserve one’s own humanity amid even the most dehumanizing circumstances. Breaking out of entrenched historical timelines and traditional forms of narration, this book brings together drawings, paintings, architectural designs, and exhibitions, as well as literary and theatrical works created in this time period, to tell the story of Polish life in wartime.
Employing an accessible, essayistic style, Pietrasik offers a new look at life in the ten years following the outbreak of World War II and features artists—including Marian Bogusz, Jadwiga Simon-Pietkiewicz, and Józef Szajna—whose work has not yet found substantial audiences in the English-speaking world. Her reading of the art and artists of this period strives to capture their autonomous artistic language and poses critical questions about the ability of traditional art history writing to properly accommodate artworks created in direct response to traumatic experiences.
By:
Agata Pietrasik
Imprint: Museum of Modern Art in Warsaw
Dimensions:
Height: 243mm,
Width: 160mm,
Spine: 22mm
Weight: 600g
ISBN: 9788364177750
ISBN 10: 8364177753
Series: New Histories of Art
Pages: 292
Publication Date: 22 July 2021
Audience:
Professional and scholarly
,
Undergraduate
Format: Paperback
Publisher's Status: Active
Acknowledgements A Note on Translation Introduction Chapter 1 Instances of Material Resistance: Portraiture in the Concentration Camps Material Resistance Drawing Faces The Face and Facelessness in the Portraits of Xawery Dunikowski Gestures of Resistance: Jadwiga Simon-Pietkiewicz’s Sketchbook The (Self-)portraits of Józef Szajna Chapter 2 The Dialectics of Ruins and Rubble in Postwar Representations of Warsaw Ruins and Rubble Warsaw Accuses: Ruins On Display Affective Chronicles of a Place and Time In a Heap of Rubble Chapter 3 Homelessness, Homecoming, and the “Joy of New Constructions” The Destruction of Houses and the Politics of Homelessness Imagining Homes for the Homeless Art as a Home for All Programmatic Lack of Program Modernism Against Itself (Un)doing Modernism From Friction to Faction Social Fabric and the Canvas Surface Bibliography List of Works Index
Agata Pietrasik is a Getty/ACLS Postdoctoral Fellow in the History of Art.
Reviews for Art in a Disrupted World – Poland 1939–1949
Makes a far-reaching contribution to the twentieth-century European art history. * Critique d'Art *
