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Arabesque without End

Across Music and the Arts, from Faust to Shahrazad

Anne Leonard

$284

Hardback

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English
Routledge
11 November 2021
Featuring multidisciplinary research by an international team of leading scholars, this volume addresses the contested aspects of arabesque while exploring its penchant for crossing artistic and cultural boundaries to create new forms. Enthusiastically imported from its Near Eastern sources by European artists, the freely flowing line known as arabesque is a recognizable motif across the arts of painting, music, dance, and literature. From the German Romantics to the Art Nouveau artists, and from Debussy’s compositions to the serpentine choreographies of Loïe Fuller, the chapters in this volume bring together cross-disciplinary perspectives to understand the arabesque across both art historical and musicological discourses.
Edited by:  
Imprint:   Routledge
Country of Publication:   United Kingdom
Dimensions:   Height: 229mm,  Width: 152mm, 
Weight:   530g
ISBN:   9780367859497
ISBN 10:   0367859491
Series:   Music and Visual Culture
Pages:   232
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Hardback
Publisher's Status:   Active
Introduction: The Arabesque Aesthetic Anne Leonard Chapter 1: Spatchcocking the Arabesque: Big Books, Industrial Design, and the Captivation of Islamic Art and Architecture Margaret S. Graves Chapter 2: Poet, Artist, Arabesque: On Peter Cornelius’s Illustrations to Goethe’s Faust David E. Wellbery Chapter 3: The Lithographer’s Mark and the Magic of Synchrony Cordula Grewe Chapter 4: The Decorative Line of the Nabis: Expressivity and Mild Subversion Clément Dessy Chapter 5: Ephemeral Arabesque Timbres and the Exotic Feminine Gurminder Kaur Bhogal Chapter 6: Arabesque in French Music after Debussy Stephanie Venturino Chapter 7: Drawing a Line with the Body Juliet Bellow Chapter 8: About An Arabesque Jonah Bokaer

Anne Leonard is Manton Curator of Prints, Drawings, and Photographs at the Clark Art Institute in Williamstown, Massachusetts. She is co-editor of The Routledge Companion to Music and Visual Culture and author of The Tragic Muse: Art and Emotion, 1700–1900.

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