Analyzing Recorded Music

Collected Perspectives on Popular Music Tracks

William Moylan, Lori Burns, Mike Alleyne

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Hardback

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English

CRC Press
29 December 2022

Theory of music & musicology; Rock & Pop music; Rap & Hip-Hop; Music recording & reproduction; Audio processing

"Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks is a collection of essays dedicated to the study of recorded popular music, with the aim of exploring ""how the record shapes the song"" (Moylan, Recording Analysis, 2020) from a variety of perspectives. Introduced with a Foreword by Paul Théberge, the distinguished editorial team has brought together a group of reputable international contributors to write about a rich collection of recordings.

Examining a diverse set of songs from a range of genres and points in history (spanning the years 1936–2020), the authors herein illuminate unique attributes of the selected tracks and reveal how the recording develops the expressive content of song performance.

Analyzing Recorded Music will interest all those who study popular music, cultural studies, and the musicology of record production, as well as popular music listeners."

Edited by: William Moylan, Lori Burns, Mike Alleyne
Imprint: CRC Press
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 984g
ISBN: 9780367546328
ISBN 10: 0367546329
Pages: 416
Publication Date: 29 December 2022
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
Format: Hardback
Publisher's Status: Active

William Moylan is Distinguished University Professor (2019–2022) at the University of Massachusetts Lowell, where he is a Professor of Music and Sound Recording Technology and served as Chairperson of the Department of Music. As a recording engineer and a producer, he has worked with emerging and leading artists across a broad spectrum of popular and classical genres. William Moylan is the author of Understanding and Crafting the Mix, 3rd Edition (Focal Press, Routledge, 2015) and Recording Analysis: How the Record Shapes the Song (Focal Press, Routledge, 2020). Lori Burns is Professor of Music at the University of Ottawa. Burns’ interdisciplinary research merges musical analysis and cultural theory to explore representations of gender in the lyrical, musical, and visual texts of popular music. Her monograph, Disruptive Divas: Feminism, Identity, and Popular Music (2002), won the Pauline Alderman Award from the International Alliance for Women in Music (2005). She is co-editor of two previous essay collections: The Pop Palimpsest (2018) and The Bloomsbury Handbook of Popular Music Video Analysis (2019). She is co-editor of the Ashgate Popular and Folk Music Series and Associate Editor of Music Theory Spectrum. Mike Alleyne is Professor Emeritus with the Department of Recording Industry, Middle Tennessee State University (MTSU) and a Visiting Professor at the Pop Akademie in Germany. His work has been published in Popular Music & Society, Rock Music Studies, and Billboard magazine. His books include The Essential Hendrix (2020) and The Encyclopedia of Reggae (2012), and a co-edited collection entitlted Prince and Popular Music (2020). He also writes and edits for the SAGE Business Case Series in Music Marketing and contributed liner notes to the groundbreaking 9-CD box set, The Smithsonian Anthology of Hip-Hop and Rap (2021).

Reviews for Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks

'Moylan's analytical framework provides a flexible yet coherent structure for this wonderfully eclectic and useful collection. Analyses of the recorded 'texts' of popular music are woven together with the ethnography of practice and cultural theory to provide an excellent range of case studies which, when combined, also provide a unifying methodology for future work.' Simon Zagorski-Thomas, University of West London 'This essential collection beautifully illustrates how close sonic analysis can feed interpretations that skillfully enlighten how music impacts, and is in constant dialogue with, cultural, social, aesthetic, historical, technological, and other fundamental aspects of our lives. It makes us better understand why we love music so much.' Serge Lacasse, Laval University 'In this expansive edited volume, Moylan, Burns & Alleyne invite a broad range of engineers, historians, theorists, and analysts to apply Moylan's listening approach (2020) to a specific track within the history of recorded popular music. Analyzing Recorded Music provides a rich and diverse addition to any musical bookshelf for readers who seek to understand the interconnected elements and conditions that contribute to the creation of a recording.' Paul Thompson, Leeds Beckett University