A View from the Balcony--Opera Through Womanist Eyes

""Using the opera musical genre, Jean Derricotte-Murphy has put together a hermeneutic for capturing the presence of the Lord from a Womanist perspective with clarity about who the Lord is, how the Lord is, and where the Lord is at work in the lives of people and the world through all of the scenes, situations, and stages of life whether good or bad, happy or sad, sick or healthy, impoverished or abundant."" --William S. Epps, senior pastor, Second Baptist Church Los Angeles ""Jean Derricotte-Murphy has indeed written her magnum opus, her masterpiece, from her unique perspective as a Black woman, educator, theologian, ordained minister, opera singer, and as a Womanist to her core. She provides a 'Balcony Hermeneutic' of the oppression of Black diasporic humanity through the lens of opera. New ground is indeed plowed, cultivated, and harvested in this theological gem. Brava!"" --Marsha Foster, president emerita, Ecumenical Theological Seminary ""At last, we have research that interrogates elite concert hall box seat aspirations through what Jean Derricotte-Murphy astutely coins as a 'Balcony Hermeneutic.' The balcony is one of the most contested spaces in both performing arts and Black religiosity throughout US history. This research reveals the fantastic hegemonic imagination about the ways in which power is asserted when the prism of intersectionality is considered within our racially segregated past."" --Alisha Lola Jones, associate professor of music, University of Cambridge ""Jean Derricotte-Murphy's A View from the Balcony is a 'Grand Opera' orchestration of insurgent Womanist intelligence in multiple keys, building on a base beat of Black Performance Theory and Mvengain anthropological critique, embroidered in personal solo riffs to give a new score to an old tune. Syncopating the tired metronome of American-style racial, patriarchal classist, etc. domination through a balcony-cadence of bombast, throw-down, and send-up, Derricotte-Murphy's aria sounds out the amnesiac 'white' depths of the art form and re-opens this stage to its underground voices of beauty."" --James W. Perkinson, professor of social ethics, Ecumenical Theological Seminary