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3-D Experimental VR and Art Practices

Untangling Another Dimension

Rebecca Hackemann

$74.95

Paperback

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English
Intellect Books
17 October 2023
A critical survey of artistic practices that involve the use of 3-D, which is emerging as a scholarly field in its own right.

Though we see in three dimensions, we tend to notice 3-D when it is artificially created, as with a stereoscope. Rather than tell the history of 3-D through technique and technology, Rebecca Hackemann brings a conceptual, artistic, and critical view to her topic, unpacking its use in conceptual art, sculpture, and other mediums. Bringing together artists who were inspired by three-dimensional imagery and their theories, Hackemann surveys sixty years of 3-D in contemporary art for indicators of a turn in visual culture, foregrounding meaning and content. Her analysis spotlights 3-D as it comes into its own as a scholarly and artistic field that borders on new media, photography, and film.
By:  
Imprint:   Intellect Books
Country of Publication:   United Kingdom
Edition:   New edition
Dimensions:   Height: 244mm,  Width: 170mm, 
ISBN:   9781789388756
ISBN 10:   1789388759
Pages:   136
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
List of Artists List of Plates Introduction 1. The Double-Lensed Camera Eye: Attention and the Nature of Stereoscopy 2. The Artists and Their Ideas 3. Image Worlds: From Diorama to Virtual Reality Art Conclusion  Contributor Biographies Appendix: A Brief Obligatory Note on 3-D Technique Notes Bibliography Index 3-D Plates

Rebecca Hackemann, Ph.D. is a British/German and newly American scholar and conceptual artist who’s research interests lie in stereo 3-D, optics, VR, public space, public art and photography. Dr. Hackemann is associate professor of photography at Kansas State University. You can find more of her artwork and writing at rebeccahackemann.com.  

Reviews for 3-D Experimental VR and Art Practices: Untangling Another Dimension

Rebecca Hackemann's new book is a superb and indispensable account of the creative and critical exploration of stereoscopy, 3-D and VR by a wide range of artists since the early twentieth century. Especially now, at a moment when powerful technology corporations are massively commodifying and routinizing VR and 3-D products, Hackemann's study provides a crucial resource for sustaining oppositional and counter-practices of visuality and perceptual experience. -- Jonathan K. Crary, Meyer Schapiro Professor of Modern Art and Theory, Columbia University


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