WIN $150 GIFT VOUCHERS: ALADDIN'S GOLD

Close Notification

Your cart does not contain any items

Constant Reader

The New Yorker Columns 192728

Dorothy Parker Sloane Crosley

$32.99

Paperback

Not in-store but you can order this
How long will it take?

QTY:

English
McNally Jackson Books
19 December 2024
Dorothy Parker's complete weekly New Yorker column about books and people and the rigors of reviewing.

When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rupic ""Constant Reader,"" she created what is still the most entertaining book column ever written. Parker's hot takes have lost none of their heat, whether she's taking aim at the evangelist Aimee Semple MacPherson (""She can go on like that for hours. Can, hell-does""), praising Hemingway's latest collection (""He discards detail with magnificent lavishness""), or dissenting from the Tao of Pooh (""And it is that word 'hummy,' my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up"").

Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post
By:  
Foreword by:  
Imprint:   McNally Jackson Books
Country of Publication:   United States
Dimensions:   Height: 215mm,  Width: 127mm,  Spine: 14mm
Weight:   163g
ISBN:   9781961341258
ISBN 10:   1961341255
Pages:   224
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Dorothy Parker née Rothschild (1898–1967), grew up on New York’s Upper West Side. She became famous for her comic poems, her short stories, her reviews, and her repartée, as recorded by the columnist Wolcott Gibbs over lunches at the Algonquin hotel. A prolific magazine contributor in her youth and a successful screenwriter (she co-wrote the original A Star is Born), she struggled all her life with alcoholism and wrote very little in her later decades, though continued to be a vocal champion of progressive causes, especially civil rights. Sloane Crosley is the author of the essay collections I Was Told There’d Be Cake (a 2009 finalist for the Thurber Prize for American Humor), How Did You Get This Number, and Look Alive Out There (a 2019 Thurber Prize finalist); the novels The Clasp and Cult Classic; and, most recently, her memoir, Grief Is for People. A contributing editor at Vanity Fair, she lives in New York City.

Reviews for Constant Reader: The New Yorker Columns 192728

""Does anyone know how hard it is to be that funny? . . . Read her book reviews. Read them now and see how good they are.""--Fran Lebowitz ""A bestselling poet who moved on to fiction, Dorothy Parker . . . was equally innovative as a critic, pioneering a first-person style and busting the taboo on hatchet jobs by women . . . She was arguably the first female celebrity wit since the 17th century, outperforming her illustrious male peers.""--John Dugdale ""The Guardian"" ""In Parker's hands, the humble book review becomes an instrument as expressive as a lyric poem.""--Nicholas Frankel ""Wall Street Journal, Five Best Books by Great Wits"" ""The Constant Reader columns are not really book reviews; they are standup-comedy routines. You don't have to listen to her opinion, she says. If she didn't like the book, maybe that's just her hangover speaking.""--Joan Acocella ""New Yorker"" ""All I wanted in this world was to come to New York and be Dorothy Parker. The funny lady. The only lady at the table. The woman who made her living by her wit . . . Who always got off the perfect line at the perfect moment, who never went home and lay awake wondering what she ought to have said because she had said exactly what she ought to have.""--Nora Ephron ""Esquire"" ""It is through Parker's refusal to claim authority, then, that her book reviews achieve it. She presents readers with an unpretentious, sometimes self-mocking voice that, while it expresses strong opinions, pretends no Olympian knowledge or status. Her use of humor is even-handed: she uses it to make fun of shallow, silly, or just plain bad published work, but she also turns it on herself . . . And, as a bonus, the reviews contain some of her own best, most spirited writing, which is the reason, finally, that we continue to read them with such pleasure.""--Nancy A. Walker ""Studies in American Humor"" ""Length doesn't increase depth, necessarily, and just because her little characterizations of a book were short doesn't mean they weren't true."" --Gloria Steinem


See Also