The Impostor

Praise for The Impostor “Ribeiro’s deft and insinuating storytelling captures the uncanny feeling of slippage. . . . [His writing is] atmospheric and engrossing, and by the end Mr. Ribeiro has proven himself a master of the subtleties of subjectivity.” —Wall Street Journal “Explor[es] the mysteries and possibilities of life continually unfolding rather than irrevocably damaged.” —North of Oxford “Two elegant novellas, each an atmospherically charged investigation of consciousness, familial ties, legacy, and language. . . . These crystalline stories form a memorable diptych.” —Publishers Weekly “These inventive novellas are like literary puzzles for the reader to tease out.” —Kirkus Reviews “Telles Ribeiro’s title novella is a tour de force that takes place simultaneously in the distant past and in the present, in a seamlessly fractured continuum of time. The second novella is a complex and breathtaking work, rich in feeling, an audacious, dazzling performance. By turns delicate and humorous, wrenching and melancholic, it lays bare the souls of its characters in a manner that I can only call Chekhovian. It is the work of a master.” —Jaime Manrique, author of Cervantes Street and Like This Afternoon Forever “Comical and brooding, enchanting and disturbing, The Impostor triggers a unique free fall into the unnerving craters of the mind.” —Laura Restrepo, author of Delirium and The Divine Boys Select Praise for Edgard Telles Ribeiro “Elegant, absorbingly knowing, chilling, dryly humorous and often moving.” —Francisco Goldman, author of Say Her Name and Monkey Boy “Cunning” —Maureen Corrigan, Washington Post “[Telles Ribeiro] unveils details with a poetic lushness, unhurried, dreamy, as if lingering on their weight, their significance.” —Philadelphia Inquirer “The art of Telles Ribeiro’s [work] is in his sumptuous lyrical narrative style.” —Tulsa World “Telles Ribeiro’s [work] is of global import, a caution against too readily forgetting and too quickly adapting.” —Words Without Borders