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English
Open Letter
01 October 2024
When truth is more gruesome than fiction

Ha Seong-nan is there. When people give in to their most intrusive thoughts

Ha Seong-nan is there. When man is more animal than animals themselves

Ha Seong-nan is there.

In Wafers, her third short-story collection to appear in English, Ha continues to weave troublesome coincidences into the seemingly banal in her signature style of engrossing and unsettling prose. A best-seller in Korea, Ha Seong-nan is one of the stars of contemporary short fiction, writing edgy, socially conscious stories that bring to mind the novels of Han Kang and the film Parasite.
By:  
Translated by:  
Imprint:   Open Letter
Country of Publication:   United States
Dimensions:   Height: 216mm,  Width: 240mm, 
ISBN:   9781948830980
ISBN 10:   1948830981
Pages:   350
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Ha Seong-nan is the author of five short story collections including Bluebeard's First Wife and Flowers of Mold and three novels. Over her career, she's received a number of prestigious awards, such as the Dong-in Literary Award in 1999, Hankook Ilbo Literary Prize in 2000, the Isu Literature Prize in 2004, the Oh Yeong-su Literary Award in 2008, and the Contemporary Literature (Hyundae Munhak) Award in 2009. Janet Hongis awriter and translator based in Vancouver, Canada. She received the 2018 TAFirst Translation Prize and the 2018 LTI Korea Translation Award for her translation of HanYujoo'sThe Impossible Fairy Tale. She's a two-time winner of theHarveyAward forBest International Book for her translations ofKeum Suk Gendry-Kim'sGrassand Yeong-shinMa's Moms. Otherrecent translations includeHa Seong-nan'sBluebeard's First Wife(selectedas Publishers Weekly's 10 Best Books of 2020) and Kwon Yeo-sun's Lemon. She is currently theKorean prose mentor for ALTA's Emerging Translator Mentorship Program.

Reviews for Wafers

These mesmerizing stories of disconnection and detritus unfurl with the surreal illogic of dreams--it's as impossible to resist their pull as it is to understand, in retrospect, how circumstance succeeded circumstance to finally deliver the reader into a moment as indelible as it is unexpected. Janet Hong's translation glitters like a blade. --Susan Choi Flowers of Mold shows Ha Seong-nan to be a master of the strange story. . . . one is left feeling unsettled, as if something is not right with the world--or, rather (and this latter option becomes increasingly convincing), as if something is not right with you. --Brian Evenson


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