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In Country

Hugh Martin

$39.95

Paperback

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English
BOA Editions, Limited
12 February 2019
Hugh Martin's second full-length poetry collection moves within and among history to broaden and complicate our understanding of war. These poems push beyond tidy generalizations and easy moralizing as they explore the complex, often tense relationships between U.S. soldiers and Iraqi civilians. The speaker journeys through training to deployment and back again, returning home to reflect on the soldiers and civilians-both memories and ghosts-left behind. Filled with recollected dialogue and true-to-life encounters, these poems question, deconstruct, examine, and reintegrate the myths and realities of service.
By:  
Imprint:   BOA Editions, Limited
Country of Publication:   United States
Volume:   169
Dimensions:   Height: 152mm,  Width: 228mm, 
ISBN:   9781942683704
ISBN 10:   1942683707
Series:   American Poets Continuum
Pages:   104
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Hugh Martin grew up in northeast Ohio and served six years in the Army National Guard as an M1A1 Tanker. A veteran of the Iraq War, Hugh is the author of In Country (BOA Editions, 2018), The Stick Soldiers (BOA Editions, 2013, winner of the A. Poulin, Jr. Poetry Prize) and So, How Was the War (Kent State University Press, 2010). He carries degrees from Muskingum University and Arizona State University. A recipient of a Wallace Stegner Fellowship from Stanford University, a Sewanee Writers' Conference Fellowship, and a Yaddo Residency, he was the inaugural winner of the Iowa Review Jeff Sharlet Award for Veterans. His essays and poetry have appeared in PBS NewsHour, The New Yorker, The New York Times, Grantland, American Poetry Review, and The Kenyon Review. He was the 2014-15 Emerging Writer Lecturer at Gettysburg College and is currently teaching at Ohio University where he's completing a Ph.D in creative writing.

Reviews for In Country

This is a poetry of small detail and large design. At one level, the guns, wasted terrains, and grinding dailiness of violence surprise and engage. The meticulous craft of detail allows the reader to become both witness and participant. But at a deeper level the true power and presence of this book, from poem to poem, lies in its offering of the unimaginable to imagination. These are certainly war poems, providing depth and texture to the category. But they are also proof of the hard-won accord that can exist between experience and language, which here lends a memorable force to so many of these poems. --Eavan Boland


  • Winner of A. Poulin, Jr. Poetry Prize 2012 (United States)

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