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English
Wave Books
03 April 2018
With breathtaking fervor, Sandra Simonds delivers an extended address to Orlando, which stands as both a city marked by vibrant promises fallen into betrayals and abuses and the specter of a past lover. Developing a series of recurring episodes and detailing an intricate network of relationships entangled in love, pain, anger, and compassion, this book boldly approaches personal trauma and memory in order to better understand the present.
By:  
Imprint:   Wave Books
Country of Publication:   United States
Dimensions:   Height: 254mm,  Width: 203mm,  Spine: 8mm
Weight:   227g
ISBN:   9781940696607
ISBN 10:   1940696607
Pages:   96
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Sandra Simondsis the author of six books of poetry: Orlando, (Wave Books, forthcoming in 2018), Further Problems with Pleasure, winner of the 2015 Akron Poetry Prize (University of Akron, 2017), Steal It Back (Saturnalia Books, 2015), The Sonnets (Bloof Books, 2014), Mother Was a Tragic Girl (Cleveland State University Poetry Center, 2012), and Warsaw Bikini (Bloof Books, 2009). Her poems have been included in the Best American Poetry 2015 and 2014 and have appeared in the New York Times, Poetry, the American Poetry Review, the Chicago Review, Granta, Boston Review, Ploughshares, Fence, Court Green, and Lana Turner. She lives in Tallahassee, Florida and is anAssociate professor of English and Humanities at Thomas University in Thomasville, Georgia.

Reviews for Orlando

Simonds' sonnets are uncaged, snarling, rooting creatures, ferreting about the mind like it's a shoebox of memorabilia. These sonnets execute that mysterious task which only poems can: expose the connective roots of memories, objects, and beings, despite how dissonant the universe can feel. --Publishers Weekly How do you write poems while caring for children, teaching composition, and trying to make rent? How do you think about--for example--domestic violence, Bikram Yoga, and being in love, all at once? The world is an exhausting place full of unsustainable contradictions; the sonnet holds some parts of it uncomfortably, energetically, together. --Boston Review Steal It Back will not let us forget our own complicity in building a soulless society. The juxtaposition of priceless works of art with our shoddy, big-box store culture generates an anger that is the book's main power. Simonds's style is direct, her sentences both sharp-edged and fragile in their rawness. --Miami Rail


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