Alex Corporan is a native New Yorker, born and raisedin theWashingtonHeightsneighborhood ofManhattan.His life changedwhen he started skateboarding back in 1986.His professional careerkicked off shortly after. During his skateboarding career, Alex was also a big part of the NY nightlife scene as a curator/writer/photographer,and bar owner. He has put together many art shows and projects for galleries, as well as various magazines and books. Life's trajectory eventually led him to manage a skate shop called Supreme in the mid 90's when it was the only store on Lafayette St. After spending nearly 10+ years running Supreme and creating a movement that has changed what fashion/streetwear has become, he moved to the corporate side of things and headed up the East Coast Marketing team for Etnies (Soletech) for nearly ten years. He is now a Marketing Consultant/Event Planner/Producer for the multifacetedand boundless culturalspiderweb he created in his universe. Currently Alex isa partner andCreative Director at Frank 151. Skateboarding is still the center of his life ashe continues to support the scene and the youth coming up within it. Andre Razo is a multi-disciplinary creator moving freely between art and commerce. Now the creative director of Warner Media, his personal works have been widely exhibited in solo and group shows including Marlborough Gallery, The Hole and LA Moca. He continues to collaborate with companies in the skateboard and snowboard industries regularly. Ivory Serra was born in Bolinas, CA. She attended the University of California, Santa Cruz earning a B.F.A. in Photography and an MFA in Photography/Sculpture from City University of New York-Hunter College. She's worked as an assistant to photographers such as Annie Leibovitz, Mark Seliger, Martin Schoeller, Antoine Verglas and Peter Beard and was the in-house photographer for the Alleged Gallery, New York. She currently lives and works in New York, NY.
'captures the sensation of flight and movement within heavy, confining spaces, and the sweeping colors of the boards, the graffiti, and the riders as they fly between the gray sky and grayer pavement' -The New Yorker