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Robert Aickman (19141981) was the son of an architect and grandson of the Victorian Gothic novelist Richard Marsh. A novelist, critic, editor, memoirist, activist, and literary agent, he produced more than fifty 'strange stories' over his lifetime, and edited eight volumes of The Fontana Book of Great Ghost Stories. He is credited with almost singlehandedly moving such tales beyond their gothic or antiquary origins and into our modern era of surreal comedy and disquieting neurosis. He is regularly acclaimed as the most singular and accomplished writer of supernatural fiction in the twentieth century.
'To try and make sense of [Go Back at Once's] assortment of images and metaphors is like trying to interpret a feverish dream . . . the pleasure comes not from retaining a firm grasp on meaning, but in yielding to the greater power of imagination than reality , something Cressida comes to appreciate herself.' Andrew Michael Hurley, The Telegraph ---- 'Aickman's hitherto unpublished second novel . . . is an oddity, a puzzlebox of queerness and a utopian fantasia . . . The prose vibrates with energy.' Catriona Ward, The Times ---- 'Reading Robert Aickman is like watching a magician work, and very often I'm not even sure what the trick was. All I know is that he did it beautifully.' Neil Gaiman ---- 'In Aickman's fiction, peculiarity is intertwined with a drab twentieth-century realism that is very English and sometimes dryly funny. Think Philip Larkin, or Barbara Pym, gone eldritch.' Anwen Crawford, The New Yorker ---- 'His name should be placed among the greats-Flannery O'Connor, Irwin Shaw, Raymond Carver . . . You will never forget the first Aickman story you read, nor be satisfied when you've read them all.' John Darnielle ---- 'Unsettling is a key description for Aickman's writing, not merely in the sense of creating anxiety, but in the sense of undoing what has been settled: his stories unsettle the ideas you bring to them about how fictional reality and consensus reality should fit together . . . He was drawn to ghost stories because they provided him with conventions for unmaking the conventional world, but he was about as much of a traditional ghost story writer as Salvador Dali was a typical designer of pocket watches.' Matthew Cheney, Electric Literature ---- '[The] most profound writer of what we call horror stories.' Peter Straub ---- 'With brilliant dialogue and oblivious schlepping, a la Stoppard's Guildenstern and Rosencrantz, Aickman's two hilarious ladies-in-waiting wander through the horrors of war, men of all disastrousies, and political upheaval unfazed.' Ian McCord, Avid Bookshop ---- 'For fans of cutting remarks, philosophy, and scandalous divorcees.' Booklist ---- '[T]his novel offers readers...a witty, sophisticated work of 20th-century British fiction.' Kirkus Reviews ---- 'Mesmerizing. This unconventional story gets by on the author's sly wit.' Publishers Weekly ---- 'There's a nice light touch to the writing...it all skips along nicely and if it all isn't quite clear, the sheer oddity of the place and events is just as baffling to its two protagonists...It makes for a quite charming novel of two young innocents learning about life.' The Complete Review
