Under the Rainbow

'Attlee's form of attention shows us a sensitive way of caring and relating and recognising the lives of others: by attending to messages, gestures, signals in the surrounding streets, by inviting neighbours' stories and explanations, he has assembled a searching portrait of the time of Covid.' Marina Warner ----'Under the Rainbow refracts the pandemic into a prism of colours, revealing it not just as a public health crisis but as one that touches issues from racial injustice to the climate emergency. Beyond the statistics and political statements, Attlee helps us make sense of living through the shared moments of a global catastrophe.' Roman Krznaric ----'Attlee captures an intense moment of national self-reckoning by letting those who speak to him from their doorsteps really speak. The result is a carefully curated form of polyphony, sometimes interjected with personal support, but more often with real sympathy, that carries him back to reflections upon poetry and art.' Sally Bayley ----'Full of warmth, wit and eloquence, and a rare, refreshing combination of modesty and conviction, Under the Rainbow is a supple investigation of familiar symbols. I loved the careful anthropological questioning of the complex world on our doorsteps.' Alexandra Harris ----'Attlee's intrepid enquiring sympathetically explores the anxieties and hopes of summer 2020.' Patrick Keiller ----'Observant, enquiring, contemplative, James Attlee has carried out a deft investigation of a city in lockdown. I love the way he listens to people, thinks about what they've said, and lets it lead him to some relevant allusion or philosophical notion.' Tim Pears ---- Praise for James Attlee's Isolarion ----'Unique and very special.' Geoff Dyer, The Guardian ----'A new Oxford that no guidebook has yet captured.' New York Times