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Unbroken Poetry II

Poésie ininterrompue II

Paul Eluard Gilbert Bowen Jill Lewis

$44.95

Paperback

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Bloodaxe Books Ltd
30 May 1996
Paul luard's poetry is concerned with sexual desire and the desire for social change. A central participant in Dada and in the Surrealist movement, luard joined the French Communist Party and worked actively in the Resistance in Nazi-occupied Paris. Caught between the horrors of Stalinism and post-war, right-wing anti-communism, his writing sustains an insistent vision of poetry as a multi-faceted weapon against injustice and oppression. For luard, poetry is a way of infiltrating the reader with greater emotional awareness of the social problems of the modern world. Unbroken Poetry II, published posthumously in 1953, pays tribute to Dominique luard, with whom Paul spent the last years of his life. It traces the internal dialogues of a passionate relationship as well as of his continuing re-evaluation of the poetic project it-self. It centres on political commitment and places it at the heart of the lovers' desire.
By:  
Introduction by:  
Translated by:  
Imprint:   Bloodaxe Books Ltd
Country of Publication:   United Kingdom
Edition:   Bilingual ‘facing page’ edition
Volume:   6
Dimensions:   Height: 216mm,  Width: 138mm,  Spine: 10mm
Weight:   249g
ISBN:   9781852241346
ISBN 10:   1852241349
Series:   Bloodaxe Contemporary French Poets
Pages:   160
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Paul luard (1895-1952) was one of the founders of the Surrealist movement and one of the foremost lyric poets of the 20th century. His poetry is concerned with sexual desire and the desire for social change. He was a close associate of Surrealist poets Andre Breton, Louis Aragon and Philippe Soupault between the wars. Experiments with new verbal techniques, theories on the relation between dream and reality, and the free expression of thought processes produced Capitale de la douleur (Capital of Sorrow, 1926), his first important work, which was followed by La Rose publique (The Public Rose, 1934) and Les Yeux fertiles (The Fertile Eyes, 1936), among the most significant books of poetry produced by the Surrealist movement. He also explored the progress of mental disorders in L'Immaculee Conception (with Andre Breton, 1930). He abandoned much of his Surrealist practice after the Spanish Civil War. He joined the Communist Party during the war and worked actively in the Resistance in Nazi-occupied Paris as well as writing poetry to inspire the French people. Caught between the horrors of Stalinism and post-war, right-wing anti-communism, his writing sustains an insistent vision of poetry as a multi-faceted weapon against injustice and oppression. For luard, poetry is a way of infiltrating the reader with greater emotional awareness of the social problems of the modern world. Paul luard was the pseudonym of Eugene Grindel. He had three great loves in his life: Gaia (Helena Daikonova) whom he met at the age of 16 in a Swiss sanatorium where they were being treated for TB, and who later left him for Salvador Dal; the Surrealist associate Nusch (Maria Benz); and Dominique Lemort, whom he married in 1951. Unbroken Poetry II, published posthumously in 1953, pays tribute to Dominique luard, with whom Paul spent the last years of his life. It traces the internal dialogues of a passionate relationship as well as of his continuing re-evaluation of the poetic project it-self. It centres on political commitment and places it at the heart of the lovers' desire.

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