Grand-Guignol Cinema and the Horror Genre: Sinister Tableaux of Dread, Corporeality and the Senses

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Mario DeGiglio-Bellemare

Grand-Guignol Cinema and the Horror Genre

Sinister Tableaux of Dread, Corporeality and the Senses

Mario DeGiglio-Bellemare

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English

Anthem Press
14 February 2023

Documentary movies & films

Series: Anthem Series on Exploitation and Industry in World Cinema

A study of the important contributions of the Parisian Grand-Guignol theatre's Golden Age.

Grand-Gugignol Cinema and the Horror Genre maps important contributions of the Parisian Grand-Guignol theatre's Golden Age as theoretical considerations of embodiment and affect in the development of horror cinema in the twentieth century.

This study traces key components of the Grand-Guignol stage as a means to explore the immersive and corporeal aspects of horror cinema from the sound period to today.

By: Mario DeGiglio-Bellemare
Imprint: Anthem Press
Country of Publication: United Kingdom
Dimensions: Height: 229mm, Width: 153mm, Spine: 26mm
Weight: 454g
ISBN: 9781839980961
ISBN 10: 1839980966
Series: Anthem Series on Exploitation and Industry in World Cinema
Pages: 270
Publication Date: 14 February 2023
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Mario DeGiglio-Bellemare teaches courses ingenre cinema, grotesque traditions, cinematic embodiment and monster ethics in the Humanities department atJohn Abbott College, Canada. He is also an independent filmmaker and the co-director of the Montreal Monstrum Society.

Reviews for Grand-Guignol Cinema and the Horror Genre: Sinister Tableaux of Dread, Corporeality and the Senses

To reckon with the horror film's connections to the Grand Guignol theatre is to refigure our understanding of the horror genre. DeGiglio-Bellemare stages this reckoning with the sort of ambition, enthusiasm and a wide range of references that enrich horror studies. This is a stimulating and provocative book - Adam Lowenstein, author of Horror Film and Otherness, Professor of English and Film/Media Studies, University of Pittsburgh, USA. This is a terrific book. While horror scholars frequently use the term 'Grand-Guignol' as a sort of shorthand - 'Grand-Guignol effects,' or 'Guignol Treatment' - we haven't devoted the time and scholarship to fully unpack the Grand-Guignol's lingering influence and affect in horror cinema. If that were all this book did, that would be enough to make it a necessary addition to the field. But DeGiglio-Bellemare also provides a rich and thick theoretical horror discussion - invoking Bataille, cultural studies, Marx and the rich scholarly history of the field. Well-written and immensely readable, this is a smart, sophisticated, well-conceived book - by a terrific scholar. Belongs on the bookshelf of every horror scholar and horror lover, and definitely belongs on the syllabus - Joan Hawkins, author of Cutting-Edge: Art-Horror and the Horrific Avant-garde.