Michael Asbury is a reader in the history and theory of art and deputy director of the Research Center for Transnational Art, Identity and Nation at the University of the Arts London. He has worked as a curator and art critic for over two decades.
""Asbury challenges the cliché of national identity in Brazilian contemporary art by provocatively employing the national colors as metaphors. He provides essential historical context, critically deconstructing the themes and concepts examined within the pages of this compelling book.""--Ana Magalhães, Director, The Museum of Contemporary Art, University of São Paulo ""One of the strengths of Today is Always Yesterday lies precisely in showing the role that art plays in the formation and historical and cultural construction of a nation. . . . Its publication allows for important gaps in our historiography to be filled. Today is Always Yesterday has much to add to the debate and to the Brazilian art system overall.""--Mario Caillaux, Revista VIS