Michael Hingston is a writer and publisher in Edmonton, Alberta. He is the author of the books Let's Go Exploring and The Dilettantes, as well as the co-author of Harnarayan Singh's memoir One Game at a Time. Hingston's writing has appeared in Wired, National Geographic, The Atlantic, and the Washington Post. He is also one of the co-founders of Hingston & Olsen Publishing, makers of the Short Story Advent Calendar and other literary experiments.
Praise for Try Not to Be Strange ""This combination literary history, travelogue and cautionary tale tells the history of the formerly uninhabited Caribbean island of Redonda and its development into a 'micronation' ruled by writers, beginning with the science fiction author M.P. Shiel in 1880."" —New York Times ""A wonderfully entertaining book, an account of how its Canadian author grew fascinated with a literary jape, a kind of role-playing game or shared-world fantasy involving some of the most eccentric and some of the most famous writers of modern times."" —Washington Post “Highly recommend … The fact that it involved M.P. Shiel is just the beginning of the strangeness. Great read!” —Patton Oswalt ""Michael Hingston's captivating history underscores the affinity between [Javier] Marias's preoccupations as an artist and the peculiar interplay of the real and fictional that defines the kingdom"" —TLS ""Hingston traces the story of one of the strangest kingdoms in the world ... a fascinating account."" —Winnipeg Free Press ""That spirit, the tongue-in-cheek mock seriousness of the whole endeavour, and the playfulness of its participants, is a keen factor in Try Not to Be Strange. The book is a delightful reading experience, utterly unexpected and unlike anything you are likely to read this year."" —Toronto Star ""Try Not to Be Strange takes on the magnificent feat of writing the history of a persistent and yet barely extant literary kingdom ... The charm of the book, really, is the earnestness with which Hingston approaches the story"" —Alberta Views ""The island [of Redonda] is the subject of the Canadian writer Michael Hingston’s often excellent Try Not to Be Strange ... A Redondan gong for Hingston seems in order: perhaps he could be made Duke of Rather Interesting Non-fiction."" —The Spectator ""The authoritative history of the Kingdom of Redonda."" —The BC Review ""Try Not to be Strange is an enjoyable account of a bizarre not-quite-real place, with a rich cast of characters—not least Hingston himself, who amusingly tracks his own obsessiveness."" —Complete Review ""Combining travelogue, memoir, and literary history, Hingston has crafted a fascinating tale full of eccentric characters. Editions of all sizes play a role in the drama, and bibliophiles will also relish the author’s auction experience."" —Fine Books and Collections Magazine ""Try Not to Be Strange is a passionate and skillfully written exploration of an extraordinary world and those who search for such places to get to the heart of what stories really mean. Hingston’s thirst for deeper knowledge is palpable, and it illuminates what the kingdom might really stand for."" —Quill & Quire ""Full of colorful personalities, exotic locales, and unexpected twists, this is a jaunty historical footnote."" —Publishers Weekly Praise for Michael Hingston ""[Hingston] does it all with a delicious sense of humour."" —Quill & Quire (starred review) ""Wise and love-driven ... full of observations, analysis, and well-researched history."" —Edmonton Journal “A fresh take on the campus novel, Michael Hingston’s debut is a droll, incisive dissection of the terrible, terribly exciting years known as post-adolescence.” —Patrick deWitt, author of The Sisters Brothers ""This book captures the joy and excitement at first discovering Calvin and Hobbes, and the wistful sadness that it is no more."" —Patton Oswalt ""The Dilettantes is a whip-smart and very funny literary portrait of the post-ironic generation. Don't miss this."" —Zoe Whittall, author of The Best Kind of People ""His insights are rich and concise, but he never commandeers the work, as is the habit with writing about pop culture. As a critic, Hingston uses light touches of salt to bring out the flavours already in the work... A fine companion to a comic about a kid without much interest in companionship."" —Bookshelf News