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Hanna Bjrgaas is a biologist who has worked as a guide in the Arctic and Antarctic, led field courses in Norway, and worked with architects and artists to help communicate the joy of nature to others. She has written articles on popular science and contributed to conferences on ecology and farming. She admits to feeling a bit naked without a pair of binoculars and a magnifying glass hanging around her neck.
"""A gem of a book."" —Anne Sverdrup-Thygeson, author of Extraordinary Insects ""Biologist Bjørgaas debuts with an enchanting paean to the overlooked marvels of metropolitan wildlife. . .offer[s] a nuanced understanding of urban flora and fauna and push back against common assumptions about where nature ends and the human world begins. City dwellers will see their environs in a new light."" —Publishers Weekly ""This book is a delight to read. Like an urban Alice in Wonderland, bubbling biologist Hanna Bjørgaas takes us on a rollercoaster of interconnected adventures with the animals and other creatures that she shares her daily life with. We climb with her through the undergrowth, confront cheeky city birds, and poke around in layers of moss and lichen. Her enthusiasm for all life around her and the dedicated scientists who study it is infectious. Plus, we pick up a lot of good science without even noticing it, that's how good a tour guide she is."" —Menno Schilthuizen, author of Darwin Comes to Town ""A wonderfully intimate account of the secret rhythms of the city. Hanna Bjørgaas's exploration of the city reveals its natural life in memorable detail, delving deep into the microorganisms within the soil and soaring high above the city with peregrine falcons. Her book is a moving call to understand our urban environments better and appreciate their mysterious ecosystems."" —Ben Wilson, author of Urban Jungle: The History and Future of Nature in the City ""I once saw a sign that said ""Love is a Decision"", and Hanna Bjørgaas's book made me realize that wonder is a decision, too. I loved her decision, at the outset of the book, to wonder about nature in Oslo—sparrows and dirt and lichen and bats—and I loved how her questions lead to revelatory answers, about the city's noise affecting bird sopranos and bird contraltos differently; how as we are afraid of the dark, bats are afraid of the light; that putting your head in soil cheers you up, and that if you want to cheer up the soil you just leave it alone. This book, full of dazzling information, begins with wonder and ends with affection for ""the near and the dear"": the subjects have become the friends."" —Amy Leach, author of Things That Are and The Everybody Ensemble"
