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Anne Garrta, author of the groundbreaking novel Sphinx (Deep Vellum, 2015), is a member of the renowned Oulipo literary group. Not One Day won the Prix Mdicis in 2002, recognizing Garrta as an author ""whose fame does not yet match their talent."" Garrta is also the author of In Concrete, translated by Emma Ramadan (Deep Vellum, 2021). Emma Ramadan is a literary translator of poetry and prose from France, the Middle East, and North Africa. She is the recipient of a Fulbright, an NEA Translation Fellowship, a PEN/Heim grant, and the 2018 Albertine Prize. Her translations for Deep Vellum include Anne Garrta's Sphinx and In Concrete, Fouad Laroui's The Curious Case of Dassoukine's Trousers, and Brice Matthieussent's Revenge of the Translator.
One of Literary Hub's ""30 Books We're Looking Forward To"" in 2017 Recommended in CLMP’s 2020 ""Reading List for Pride Month & Beyond"" Selected by Words Without Borders as one of ""8 Queer Books in Translation to Read for Pride Month 2020"" Recommended in Flavorwire’s “22 Essential Women Writers to Read in Translation” One of The New Yorker's ""Best Books We Read in 2021"" ""I could smother the book with adoration—it is aching and maddening, intelligent and wildly sexy. But it would be simpler to say that reading it is like meeting someone new and feeling the world come undone. Here is a book that insists that the desire for fiction, for its mimicry and its mirage, is indistinguishable from the desire for another person."" —Merve Emre, The New Yorker “Winner of the Prix Medicis, this intense collection of Garreta’s memories of past loves—written under strict Oulipian constraints—is at times at once tender, bitter, and intimate.” —Literary Hub “Garréta more or less perfected the post-modern confessional, doing so with a self-awareness that many authors fail to accomplish… Not One Day is a casual revelation; a delight.” —Sean Redmond, fields Magazine “Deep Vellum has brought out one of the best books I’ve read this year, one whose compact nature contains more room inside than might be guessed from its modest exterior. Happily, Anne Garréta’s ambition is to create books that are not the products of an assembly line.” —Jeff Bursey, The Winnipeg Review
