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AMIN MAALOUF was born in Beirut and lived there until the Lebanese Civil War broke out in 1975. He settled in Paris in 1976 and published his first book, The Crusades Through Arab Eyes, in 1983. In 1993, The Rock of Tanios, his fifth novel, won the Goncourt Prize, the most prestigious literary award in France. Maalouf is a member of the Académie Française and in 2010 was awarded the Prince of Asturias Award for Literature for his entire oeuvre. In 2021 he was voted one of 12 International Writers by the Royal Society of Literature, an initiative celebrating the power of literature to transcend borders and bring people together. He was awarded both the Terzani Prize and the Malaparte Prize for Adrift, also published in English by World Editions. His work has been translated into 50 languages and his most recent bestselling novel available in English is The Disoriented. NATASHA LEHRER is a prizewinning writer, translator, and editor. Her long-form journalism and book reviews have appeared in the Guardian, the Observer, the Times Literary Supplement, the Nation, Haaretz, and Fantastic Man, among others, and she is literary editor of the Jewish Quarterly. She has contributed to several books, including a chapter on France in Looking for an Enemy: 8 Essays on Antisemitism, edited by Jo Glanville. The writers she has translated include Nathalie Léger, Chantal Thomas, Vanessa Springora, Victor Segalen, Robert Desnos, and Georges Bataille.
Praise for On the Isle of Antioch ""Lebanese-born French author Maalouf delivers an elegant portrait of a dying world. A beguiling, lyrical work of speculative fiction by a writer of international importance."" -Kirkus Reviews, *Starred Review* ""A timely novel that captures the concerns of today and is an excellent addition to any library's collection of dystopian fiction."" --Jacqueline Snider, The Library Journal""A marvelous parable."" --Le Figaro littéeacute;raire ""In this work of speculative fiction, remarkable men lay claim to Ancient Greece and heal an ailing mankind."" --L'Obs ""The latest novel of the Franco-Lebanese author isn't just a novel. It's a warning to all passengers: we're moving in a dangerous direction. A cry of alarm, but also of hope."" --Le Soir ""One of his most powerful novels."" --La Provence ""Maalouf revives the Greek miracle as an idea but avoids Manicheism. He stimulates reflection without ever impinging on the pleasure of reading a thriller."" --Le Point ""Amin Maalouf has concocted a complex, nerve-racking thriller with mythological roots."" --Livres Hebdo Le Magazine ""Without pontificating, Amin Maalouf broaches very important topics, throughout all the delicious suspense."" --L'Express ""The latest Amin Maalouf is an intricate thriller, which can be read on various levels, resonating with the unprecedented crisis our civilization is facing."" --L'Orient-Le Jour ""A philosophical thriller in the form of a cry of alarm. ... Mixing speculation and philosophical reflection, Amin Maalouf has written a captivating humanist story, troubling in the way it resonates with our time."" --Midi Libre ""Between dystopia and philosophical tale, Amin Maalouf imagines, in a world on the brink of self-destruction, salvation thanks to the fraternity of a small number."" --La Croix Praise for Amin Maalouf ""Maalouf is a thoughtful, humane and passionate interlocutor."" --New York Times Book Review ""Amin Maalouf is one of that small handful of writers, like David Grossman and Ayaan Hirsi Ali, who are indispensable to us in our current crisis."" --New York Times ""Maalouf's fiction offers both a model for the future and a caution, a way towards cultural understanding and an appalling measure of the consequences of failure. His is a voice which Europe cannot afford to ignore."" --The Guardian ""At this time of fundamentalist identity seekers, Amin's is a voice of wisdom and sanity that sings the complexity and wonder of belonging to many places. He is a fabulist raconteur; he tells vastly entertaining adventure stories that are also deeply philosophical."" --ARIEL DORFMAN, author of Feeding on Dreams: Confessions of an Unrepentant Exile ""Amin Maalouf seems to follow Flaubert in looking at the East, but he centres the narrative differently: it's the Orient telling itself. You l
