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Triinu Laan (1975) is a manager of cultural activities and a children's writer. She graduated in law from the Tallinn School of Economics and received a master's degree in cultural management from the University of Tartu in 2018. She is involved in the translation and editing of Vro-language books, and organizes events aimed at the promotion of the Vro language and culture. As an author, Laan has written four children's books, all of which are in both the Vro (a regional language in South Estonia), and Estonian languages. Her debut work, The Big Black Dog, (published under her previous name Triinu Ojar) received immediate international acclaim and was listed in the White Ravens catalogue. Marja-Liisa Plats (1984) is an illustrator, graphic designer, photographer, and singer. She graduated from Tartu Art College in photography and is a member of the Young Authors' Association in Tartu and the Tartu Artists' Union. Plats has illustrated more than 40 children's books and regularly contributes to the children's magazine Theke. She has received extensive recognition for her works and has been listed in the White Ravens catalogue three times. Her illustrations are inquisitive and experiment with a broad range of visual techniques. Adam Cullen is a freelance translator of Estonian prose, poetry, and drama. His translations include novels by Mihkel Mutt (The Cavemen Chronicle, nominated for the 2015 Cultural Endowment of Estonia's Prize for Literary Translation), Rein Raud (The Brother and The Reconstruction, nominated for the 2017 Cultural Endowment of Estonia's Prize for Literary Translation), Kai Aareleid (Burning Cities), and Tonu Onnepalu (Radio). Cullen's debut collection of original poetry, Lichen / Samblik, was published in 2017. Originally from Minnesota, he has resided in Estonia since 2007.
""Laan’s vignettes of life with John the Skeleton complement the illustrations—simple yet profound. . . . A magical book that allows death to become a beloved part of life."" — Kirkus Reviews, Starred Review ""Folk-naif pencil illustrations with beet-red highlights combine gentle humor with tender observation . . . and when the line between life and death blurs further in this lightly other-worldly read, John offers true companionship."" — Publishers Weekly
