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Lions of Grunewald

Aidan Higgins

$29.99

Paperback

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English
Dalkey Archive Press
01 December 2022
Here is the great Irish novel of Berlin, way back before the Wall came down.

Dallan Weaver, a writer and professor who's been fted and flattered but has seen better days, has come to the great divided city as a guest of DILDO (Deutsche-Internationale Literatur-Dienst Organization). On arriving, Weaver's life immediately begins to fall apart. Women fight over him. He is not always in the soberest state of mind. Moving from relatively conventional narrative to deliriously long lists, incorporating everything from children's drawings to minute recollections of dreams,Lions of the Grunewaldis-in the author's own words-a ""missionary stew,"" marvelously served up in Aidan Higgins's inimitable style.
By:  
Imprint:   Dalkey Archive Press
Country of Publication:   United States
Dimensions:   Height: 215mm,  Width: 139mm, 
ISBN:   9781628974409
ISBN 10:   1628974400
Series:   Irish Literature
Pages:   285
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Aidan Higgins, born in Celbridge, County Kildare, Ireland, in 1927, wrote short stories, novels, travel pieces, radio plays, and a large body of criticism. A consummate stylist, his writing is lush and complex. His books includeScenes from a Receding Past,Bornholm Night-Ferry,Balcony of Europe, andLangrishe, Go Down, which won the James Tait Black Memorial Prize in 1966 and was later adapted for television by Harold Pinter. Higgins died in Kinsale, Ireland, in 2015.

Reviews for Lions of Grunewald

The ferocious dazzling prose of Aidan Higgins, the pure architecture of his sentences, takes the breath out of you. He is one of our great writers. --Annie Proulx, author of The Shipping News and Brokeback Mountain There is a shimmering mixture of the poetic and the precise ... as though some of the scenes are observed through glass, or from a distance and then distilled. He works wonders with cadence, moving close to a character's consciousness and then away from the character so the prose is distant, observing, painterly. --Colm Toibin


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