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A History of Too Much

Adrianne Kalfopoulou

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Paperback

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English
Red Hen Press
23 April 2018
A History of Too Much begins with poems that address an Athens undergoing the first ravages of political and financial crisis; the inhabitants of these poems voice extravagant losses and the unpredictable, are often torn between a desire ""to flee, but flee where?"" The gods and goddesses will still be called upon, but Demeter is nonplussed in her mourning, Alexander the Great drunk, and the statues of antiquity exposed to the anarchies of spray-painted slogans and thrown Molotovs. If history's excesses are exhausted they are also reinvented in the idiom of the contemporary moment; here where ""the costumes were all off"" and ""the actors overplayed their parts,"" there is a story to tell: ""The light was almost gone, / the road now dark.""
By:  
Imprint:   Red Hen Press
Country of Publication:   United States
Dimensions:   Height: 228mm,  Width: 152mm,  Spine: 5mm
Weight:   159g
ISBN:   9781597096126
ISBN 10:   1597096121
Pages:   104
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Adrianne Kalfopoulou is the author of two collections of poetry, several chapbooks, and a book of essays, Ruin: Essays in Exilic Living, all from Red Hen Press. Her work has appeared in journals and anthologies including Duende, Superstition Review, Hotel Amerika, the Harvard Review online, Kindled Terraces, American Poets in Greece, Futures: Poetry of the Greek Crisis, and Borderlands and Crossroads; Writing the Motherland. She chairs the English program at Deree College in Athens, Greece.

Reviews for A History of Too Much

Adrianne Kalfopoulou's luminous chronicle of love and debt in the time of the Greek Euro crisis, A History of Too Much, is powerful lyric testimony to the courage, humor, and brave resistance with which ordinary people faced augurs of loss in Greece, where the beauty of 'the oregano's thick perfume, the sapphire sea' remind them of a heritage of beauty and sacrifice, as the title poem puts it. 'It felt so much bigger than me, ' says the speaker of the magnificent hybrid poem that caps the collection, an assemblage of the voices and visions of historic change, which is, like History itself, a tour de force. --Cynthia Hogue, author of In June the Labyrinth The 'too much' that piques the reader's interest in the arresting title of these poems does double service: it sounds a cry of anguished exasperation uttered by this collection and comments on the way private life has been massively invaded by public upheavals. A startling theme, viewed with unexpected ambivalence, is hope--or rather 'the carcass of hope'--that in these poems seems fated to end with 'passionate disappointment.' As the immigrant daughter of political exiles, I grasp that theme viscerally as Kalfopoulou pursues it through marvelous use of sensory details; attention to the voices and narratives of individuals, named and specified; love poems both tender and erotically vivid; memories of the dead; encounters with the maimed but still-living; physical vestiges of World War II and its victims, and travel accounts full of foreboding amid strangers in nocturnal surroundings. --Rhina P. Espaillat, author of Playing at Stillness and Her Place in These Designs This is how the best contemporary poetry serves--as linguistic performance of an uncommonly attentive, empathetic soul making what sense it can of the vertiginous phenomena spinning before us. In terms of both content and style, these poems perform a necessary recognition of how the past is everywhere present, of how presence is ever imminent in what passes, and--most importantly--of how our every choice matters. --Scott Cairns, author of Slow Pilgrim: The Collected Poems


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