NATSUME SOSEKI (1867-1916), the widely read author of a variety of novels, essays, and haiku and kanshi poetry toward the end of the Meiji period (1868-1912), is the dominant figure in modern Japanese literature. He published his first work of fiction in 1905, the first chapter of what would become the famous satirical novel I Am a Cat. Other major works of his that have appeared in English translation include Botchan, Kusamakura, The Miner, and Kokoro. WILLIAM F. SIBLEY (1941-2009) was an emeritus professor of East Asian Languages and Civilizations at the University of Chicago. EDWARD FOWLER is a professor of East Asian Languages and Civilizations at the University of California, Irvine. PICO IYER is the author of several books, including Video Night in Kathmandu, The Lady and the Monk, and The Global Soul. He is a frequent contributor to The New York Review of Books and other publications and his most recent book is The Man Within My Head. He lives in Japan.
I especially remember the strong sense of identification I felt with The Gate , the story of a young married couple living in far-from-ideal circumstances. --Haruki Murakami<br><br> Released in 1910, The Gate is among top Japanese novelist Sōseki's best-know works. A man suddenly abandons his loving wife to enter a life of contemplation in a Zen temple. He goes looking for answers but finds only more questions. --Library Journal <br> <br> A sensitive, skillfully written novel by the most widely read Japanese author of modern times. -- The Guardian <br> <br> Sōseki's prose is so delicate that each page is like looking at a set of dreamy watercolors.' -- Sunday Telegraph <br> <br> The Gate is not so much tragic or comic as a graceful balance between the dispiriting and the humorous. It is surely the kind of writing we need. A masterpiece of taste and clarity. --New Statesman <br> <br> The Gate is almost devoid of dramatic incidents, but halting conversations of a quite ordinary husband and wife have a peculiar poignance because their love is the one abiding element in their lives. The descriptions of Sōseki's house and its surroundings are as precise as in a Naturalist novel, and the atmosphere of almost featureless days is unfalteringly conveyed, but the novel never becomes boring, no doubt because of the excellence of the writing. --Donald Keene