SALE ON YALE! History • Biography & more... TELL ME MORE

Close Notification

Your cart does not contain any items

$32.99

Paperback

Not in-store but you can order this
How long will it take?

QTY:

English
New York Review of Books
15 January 2013
A novel of tribulation in love throughout the years, all in the understated style that made Soseki so celebrated. Soseki, widely considered the greatest Japanese novelist of the Meiji era, believed The Gate was his best work.

An NYRB Classics Original

A humble clerk and his loving wife scrape out a quiet existence on the margins of Tokyo. Resigned, following years of exile and misfortune, to the bitter consequences of having married without their families' consent, and unable to have children of their own, Sosuke and Oyone find the delicate equilibrium of their household upset by a new obligation to meet the educational expenses of Sosuke's brash younger brother. While an unlikely new friendship appears to offer a way out of this bind, it also soon threatens to dredge up a past that could once again force them to flee the capital. Desperate and torn, Sosuke finally resolves to travel to a remote Zen mountain monastery to see if perhaps there, through meditation, he can find a way out of his predicament.

This moving and deceptively simple story, a melancholy tale shot through with glimmers of joy, beauty, and gentle wit, is an understated masterpiece by one of Japan's greatest writers. At the end of his life, Natsume Soseki declared The Gate, originally published in 1910, to be his favorite among all his novels. This new translation captures the oblique grace of the original while correcting numerous errors and omissions that marred the first English version.
By:  
Introduction by:  
Revised by:  
Translated by:  
Imprint:   New York Review of Books
Country of Publication:   United States
Edition:   Main
Dimensions:   Height: 203mm,  Width: 130mm,  Spine: 10mm
Weight:   265g
ISBN:   9781590175873
ISBN 10:   1590175875
Pages:   264
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

NATSUME SOSEKI (1867-1916), the widely read author of a variety of novels, essays, and haiku and kanshi poetry toward the end of the Meiji period (1868-1912), is the dominant figure in modern Japanese literature. He published his first work of fiction in 1905, the first chapter of what would become the famous satirical novel I Am a Cat. Other major works of his that have appeared in English translation include Botchan, Kusamakura, The Miner, and Kokoro. WILLIAM F. SIBLEY (1941-2009) was an emeritus professor of East Asian Languages and Civilizations at the University of Chicago. EDWARD FOWLER is a professor of East Asian Languages and Civilizations at the University of California, Irvine. PICO IYER is the author of several books, including Video Night in Kathmandu, The Lady and the Monk, and The Global Soul. He is a frequent contributor to The New York Review of Books and other publications and his most recent book is The Man Within My Head. He lives in Japan.

Reviews for The Gate

I especially remember the strong sense of identification I felt with The Gate , the story of a young married couple living in far-from-ideal circumstances. --Haruki Murakami<br><br> Released in 1910, The Gate is among top Japanese novelist S&#333;seki's best-know works. A man suddenly abandons his loving wife to enter a life of contemplation in a Zen temple. He goes looking for answers but finds only more questions. --Library Journal <br> <br> A sensitive, skillfully written novel by the most widely read Japanese author of modern times. -- The Guardian <br> <br> S&#333;seki's prose is so delicate that each page is like looking at a set of dreamy watercolors.' -- Sunday Telegraph <br> <br> The Gate is not so much tragic or comic as a graceful balance between the dispiriting and the humorous. It is surely the kind of writing we need. A masterpiece of taste and clarity. --New Statesman <br> <br> The Gate is almost devoid of dramatic incidents, but halting conversations of a quite ordinary husband and wife have a peculiar poignance because their love is the one abiding element in their lives. The descriptions of S&#333;seki's house and its surroundings are as precise as in a Naturalist novel, and the atmosphere of almost featureless days is unfalteringly conveyed, but the novel never becomes boring, no doubt because of the excellence of the writing. --Donald Keene


See Inside

See Also