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English
Copper Canyon Press,U.S.
15 June 2021
In her astounding third collection, Nikki Wallschlaeger turns to water-the natural element of grief-to trace history's interconnected movements through family, memory, and day-to-day survival.

Waterbaby

is a book about Blackness, language, and motherhood in America; about the ancestral joys and sharp pains that travel together through the nervous system's crowded riverways; about the holy sanctuary of the bathtub for a spirit that's pushed beyond exhaustion. Waterbaby sings the blues in every key, as Wallschlaeger uses her vibrant lexicon and varied rhythms to condense and expand emotion,

hurry and slow meaning, communicating the profound simultaneity of righteous dissatisfaction with an unjust world, and radical love for what's possible.
By:  
Imprint:   Copper Canyon Press,U.S.
Country of Publication:   United States
Dimensions:   Height: 152mm,  Width: 228mm,  Spine: 13mm
Weight:   181g
ISBN:   9781556596131
ISBN 10:   1556596138
Pages:   96
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Nikki Wallschlaeger's work has been featured in The Nation, Brick, American Poetry Review, Witness, Kenyon Review, Poetry, and others. She is the author of the full-length collections Houses (Horseless Press 2015) and Crawlspace (Bloof 2017) as well as the graphic book I Hate Telling You How I Really Feel (2019) from Bloof Books. She is also the author of an artist book called ""Operation USA"" through the Baltimore-based book arts group Container, a project acquired by Woodland Pattern Book Center in Milwaukee.

Reviews for Waterbaby

Wallschlaeger's latest collection is political, personal, and timely. -- Publishers Weekly How can you not be grateful, in such an ugly time, for a poet who so closely and wryly and wrenchingly and furiously observes a nation? --Chicago Tribune She deploys a new vocabulary for talking about the legacies of slavery and white supremacy as they manifest in daily life--a vocabulary that is as damning as it is lush, as rich with sound as it is bright with image... The domestic scenes she makes in her poems complicate cliches of who black women in America are 'supposed' to be. --Hyperallergic The first-person perspective is harrowing and heartbreaking in its vulnerability and honesty. -- Luna Luna Magazine Wallschlaeger's is a poetics of multiplication and plurality. -- Entropy I admire the grave persistence of her vision, the precision of her eye and ear. --Joyelle McSweeney


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