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Printing Terror

American Horror Comics as Cold War Commentary and Critique

Michael Goodrum Philip Smith

$183.99

Hardback

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English
Manchester University Press
28 January 2021
Printing terror places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America's changing sociological landscape. It examines two eras: the pre-CCA period of the 1940s up to 1954, and the post-CCA era to 1975. The book examines each of these periods through the lenses of war, gender, and race, demonstrating that horror comics at this time were centered on white male victimhood and the monstrosity of the gendered and/or racialised other. It is of interest to scholars of horror, comics studies, and American history.
By:   ,
Imprint:   Manchester University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm,  Spine: 19mm
Weight:   635g
ISBN:   9781526135926
ISBN 10:   1526135922
Pages:   328
Publication Date:  
Audience:   General/trade ,  Children/juvenile ,  ELT Advanced ,  English as a second language
Format:   Hardback
Publisher's Status:   Active

Michael Goodrum is Reader in Cultural History at Canterbury Christ Church University. Philip Smith is Associate Chair of Liberal Arts at Savannah College of Art and Design.

Reviews for Printing Terror: American Horror Comics as Cold War Commentary and Critique

'The six main chapters incorporate a broad range of texts, and in these Goodrum (modern history, Canterbury Christ Church Univ., UK) and Smith (Savannah College of Arts and Design, Hong Kong) read comics from two distinct periods—the periods before and after the formation of the Comics Code Authority (CCA) in 1954—through the lenses of trauma, race, and gender.' Choice Reviews. All rights reserved. Copyright by the American Library Association -- .


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