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The Long Century's Long Shadow

Weimar Cinema and the Romantic Modern

Kenneth S. Calhoon

$125

Hardback

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English
University of Toronto Press
25 June 2021
The Long Century's Long Shadow approaches German Romanticism and Weimar cinema as continuous developments, enlisting both in a narrative of reciprocal illumination. The author investigates different moments and media as connected phenomena, situated at alternate ends of the ""long nineteenth century"" but joined by their mutual rejection of the neo-classical aesthetic standard of placid and weightless poise in numerous media, including film, painting, sculpture, prose, poetry, and dance.

Connecting Weimar filmmaking to Romantic thought and practice, Kenneth S. Calhoon offers a non-technological, aesthetic genealogy of cinema. He focuses on well-known literary and artistic works, including films such as Nosferatu, Metropolis,Frankenstein, and Fantasia; the writings of Conrad, Kafka, Goethe, and Novalis; and the paintings of Caspar David Friedrich, one of the leading artists of German Romanticism. With an eye to the modernism of which Weimar filmmaking was a part, The Long Century's Long Shadow employs the Romantic landscape in poetry and painting as a mirror in which to regard cinema.
By:  
Imprint:   University of Toronto Press
Country of Publication:   Canada
Dimensions:   Height: 231mm,  Width: 157mm,  Spine: 28mm
Weight:   520g
ISBN:   9781487526955
ISBN 10:   1487526954
Series:   German and European Studies
Pages:   288
Publication Date:  
Audience:   College/higher education ,  Professional and scholarly ,  Primary ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active

Kenneth S. Calhoon is a professor of German and Comparative Literature at the University of Oregon.

Reviews for The Long Century's Long Shadow: Weimar Cinema and the Romantic Modern

"""The study would be of interest to advanced scholars of Weimar cinema well-read in the German and European aesthetic traditions of the nineteenth century. Its richness demands a patient reader, but one who will no doubt be left inspired by what comparative media studies affords to cinema studies."" -- Ervin Malakaj, University of British Columbia * <em>EuropeNow</em> *"


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