LOW FLAT RATE AUST-WIDE $9.90 DELIVERY INFO

Close Notification

Your cart does not contain any items

Provocation in Women's Filmmaking

Authorship and Art Cinema

Janice Loreck

$44.99

Paperback

Not in-store but you can order this
How long will it take?

QTY:

English
Edinburgh University Press
11 March 2025
Critics regularly use the term 'provocateur' to describe controversial film directors.

Although most individuals who attract this term are men, there is a long and largely unexamined history of female auteurs who shock and unsettle their viewers. Provocation in Women's Filmmaking: Authorship and Art Cinema investigates how women directors participate in the tradition of provocative art cinema. Focusing on the post-millennium films of auteurs such as Lisa Aschan, Catherine Breillat, Jennifer Kent, Isabella Eklf, Lucile Hadihalilovi, Claire Denis, Anna Biller and Athina Rachel Tsangari, this book considers the aesthetics and strategies of women's provocative filmmaking in contemporary cinema. Challenging the gendering of provocation as a hyper-masculine mode of authorship, the book uncovers an enticing and complex array of divisive works by women.
By:  
Imprint:   Edinburgh University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm, 
ISBN:   9781474483506
ISBN 10:   147448350X
Pages:   208
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Paperback
Publisher's Status:   Active

Janice Loreck is Lecturer in Screen Studies at the University of Melbourne. She is co-editor of Screening Scarlett Johansson: Gender, Genre, Stardom (2019) and the author of Violent Women in Contemporary Cinema (2016).

Reviews for Provocation in Women's Filmmaking: Authorship and Art Cinema

Through incisive studies of Lucile Hadzihalilovic, Claire Denis and Jennifer Kent, amongst others, Loreck demonstrates that women filmmakers are responsible for the most provocative, transgressive and affective art cinema in the twenty-first century. A must-read for those interested in women filmmakers, art cinema, and the gendering of film authorship. --Alison Peirse, University of Leeds


See Also