Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film

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Daniela Berghahn

Exotic Cinema

Encounters with Cultural Difference in Contemporary Transnational Film

Daniela Berghahn

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English

Edinburgh University Press
30 November 2024

Film theory & criticism; Individual film directors, film-makers; Film & movie: styles & genres

Exotic Cinema is the first systematic analysis of decentred exoticism in contemporary transnational and world cinema. By critically examining regimes of visuality such as the imperial, the ethnographic and the exotic gaze, which have colonised our minds and ways of looking, Daniela Berghahn makes an important contribution to the urgent agenda of decolonising film studies. Berghahn demonstrates that decentred exoticism's aesthetic versatility and alluring alterity are uniquely relevant for understanding the transnational appeal of world cinema. She addresses prevalent controversies surrounding exoticism and illustrates that, in contemporary world cinema, it is utilised to draw attention to new ethical and socio-political goals. Global in scope and transnational in perspective, Exotic Cinema invites students and researchers to reassess this prominent mode of cultural representation.

By: Daniela Berghahn
Imprint: Edinburgh University Press
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
ISBN: 9781474474221
ISBN 10: 1474474225
Pages: 264
Publication Date: 30 November 2024
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

Daniela Berghahn is Professor of Film Studies at Royal Holloway, University of London. She has published widely in the areas of migrant and diasporic cinema, transnational cinema and post-war German cinema and culture. Her books include Head On (2015), Far-Flung Families in Film: The Diasporic Family in Contemporary European Cinema (EUP 2013), European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe (2010) and Hollywood Behind the Wall: The Cinema of East Germany (2005).

Reviews for Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film

Exoticism is not 'bad' by default, nor is it necessarily 'colonialist'. Daniela Berghahn's wide-ranging study of contemporary world cinema goes provocatively against the grain, arguing in favour of a 'decentred' exoticism that challenges ethnic essentialism, and that is attuned to the ethical complexities of a globalised world.--Graham Huggan, University of Leeds How does one write about the exotic when the notion has been tainted by the legacy of colonialism? As Daniela Berghahn demonstrates in this fascinating book, by unpacking the notion's discursive baggage and unveiling its contemporary manifestations. An original and refreshing take on the study of world cinema.--Song Hwee Lim, author of Taiwan Cinema as Soft Power