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Psychic Connection and the Twentieth-Century British Novel

From Telepathy to the Network Novel

Mark Taylor

$195

Hardback

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English
Edinburgh University Press
22 April 2024
Criticism of the novel routinely starts with the assumption that characters must think, develop and strive for self-fulfilment as individuals. This book challenges the paradigm that individualism is innate to the novel as a medium. It describes how major writers throughout the twentieth century

many convinced by the supposed findings of parapsychology

rejected the idea of the discrete character. Treating the self as porous, they offered novels structured around the development of communities and ideas rather than individuals. By focusing on D. H. Lawrence, Olaf Stapledon, Aldous Huxley and Doris Lessing, Mark Taylor demonstrates the need to broaden our approach to character when addressing the novel of the twentieth century and beyond.
By:  
Imprint:   Edinburgh University Press
Country of Publication:   United Kingdom
Edition:   78,534 ed.
Dimensions:   Height: 234mm,  Width: 156mm,  Spine: 13mm
Weight:   449g
ISBN:   9781399524483
ISBN 10:   1399524488
Pages:   200
Publication Date:  
Audience:   College/higher education ,  Further / Higher Education
Format:   Hardback
Publisher's Status:   Active

Mark Taylor is a specialist in twentieth-century British literature, most recently working as Assistant Professor in English Literature at HSE University, Moscow. His research focuses on notions of individual and collective selfhood in British literature of the previous century. His work has been published in Modern Fiction Studies, Mosaic and Science Fiction Studies.

Reviews for Psychic Connection and the Twentieth-Century British Novel: From Telepathy to the Network Novel

Taylor's book offers a fascinating alternative history of the twentieth-century British novel. While the novel form is often seen as the definitive narrative of individualism, Psychic Connection tracks a different path through telepathy, panpsychism, and visions of collective selves, working through D. H. Lawrence, Olaf Stapledon, Aldous Huxley and Doris Lessing, and ending with a generative reading of the contemporary 'network novels' of David Mitchell. A cogent and consistently compelling counter-narrative. --Roger Luckhurst, Birkbeck College


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