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Wonders and the Order of Nature, 1150–1750

Lorraine Daston Katharine Park

$82.95   $74.79

Paperback

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English
Zone Books
02 January 2002
Series: Zone Books
This text explores ways in which European naturalists from the High Middle ages through to the Enlightenment used wonder and wonders, the passion and its objects, to envision themselves and the natural world. Monsters, gems that shone in the dark and celestial apparitions adorned romances and puzzled philosophers. Drawing on the histories of art, science, philosophy and literature, this book explores and explains how wonder and wonders fortified princely power, rewove the texture of scientific experience and shaped the sensibility of intellectuals.
By:   ,
Imprint:   Zone Books
Country of Publication:   United States
Edition:   New edition
Dimensions:   Height: 279mm,  Width: 181mm,  Spine: 38mm
Weight:   1.293kg
ISBN:   9780942299915
ISBN 10:   0942299914
Series:   Zone Books
Pages:   512
Publication Date:  
Recommended Age:   From 18
Audience:   College/higher education ,  Professional and scholarly ,  Professional & Vocational ,  A / AS level ,  Further / Higher Education
Format:   Paperback
Publisher's Status:   Active

Lorraine Daston is Director at the Max Planck Institute for the History of Science in Berlin, Germany. She is the coauthor of Wonders and the Order of Nature, 1150-1750 and the editor of Things That Talk: Object Lessons from Art and Science (both Zone Books). Katharine Park's book Wonders and the Order of Nature, 1150-1750 (Zone Books, 1998), coauthored with Lorraine Daston, won the Pfizer Prize for the best book in the history of science. She is Zemurray Stone Radcliffe Professor of the History of Science at Harvard University.

Reviews for Wonders and the Order of Nature, 1150–1750

In this learned and well-illustrated work Daston and Park explore the attitudes of scientists, churchmen and philosophers to wonders of nature in western Europe between the high Middle Ages and the Enlightenment. Intellectuals and clerics alike were fascinated by monsters and strange phenomena, by a natural world filled with magic, myth and beauty. Explanations of such things in print and depictions of them in art were used to justify religious polemic, support princely power and further scientific inquiry. Only in the 18th century were ancient and medieval beliefs about the natural and supernatural world coming to be shaken by a new empiricism and scepticism. This is a intriguing study, expertly executed. (Kirkus UK)


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  • Winner of Winner of the History of Science Society's Pfizer Prize.
  • Winner of Winner of the History of Science Society's Pfizer Prize</PrizeName>.

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