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Otherwise

Imagining Queer Feminist Art Histories

Amelia Jones Erin Silver Erin Silver Bethan Hirst

$43.99

Paperback

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English
Manchester University Press
01 December 2015
Otherwise: Imagining queer feminist art histories is the first publication to address queer feminist politics, methods and theories in relation to the visual arts, including new media, installation and performance art. Despite the crucial contribution of considerations of 'queer' to feminism in other disciplines of the humanities, and the strong impact of feminist art history on queer visual theory, a visible and influential queer feminist art history has remained elusive. This book fills the gap by offering a range of essays by key North American and European scholars, both emerging and renowned, who address the historiographic and political questions arising from the relationship between art history and queer theory in order to help map exclusions and to offer models of a new queer feminist art historical or curatorial approach. -- .
Edited by:   , ,
Other:  
Imprint:   Manchester University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm,  Spine: 29mm
Weight:   803g
ISBN:   9780719096426
ISBN 10:   0719096421
Series:   Rethinking Art's Histories
Pages:   424
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Amelia Jones is Robert A. Day Professor of Art and Design and Vice Dean of Critical Studies at the Roski School of Art and Design, University of Southern California Erin Silver is Assistant Professor of Art History a the University of British Columbia

Reviews for Otherwise: Imagining Queer Feminist Art Histories

‘…the volume as a whole makes a compelling case for more queer feminist art histories…the essays and dialogues range over twentieth-century and contemporary art and curatorial practice as well as theory, enacting a vibrant debate over queer feminism—its possibilities, challenges, and place in the visual arts and the academy.’ Alison Syme, CAA Reviews -- .


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