In Search of Opera

In Search of Opera is one of the most important and exciting considerations of the ontology of the operatic work to date. Its main accomplishment is extraordinary, opening up an entirely new approach to thinking about how musical works resonate, one that can be applied not just to the operatic medium, but to the western art music tradition as a whole. This book will be of interest, therefore, not only to students of opera, but to anyone who has ever thought about what it is to listen, to compose, to perform. --Hilary Poriss, Notes [A] penetrating probe into the body of opera, and a new response to that abiding awareness . . . that the 'science' of musicology itself is a 'machine' which ought to make mere human beings as uneasy about its uncanny propensity to disrupt and disturb as operatic characters can be in face of the unknown or the inhuman. . . . In Search of Opera is a text whose tissue of messages is well worth the closest attention. --Arnold Whittall, Musical Times Ten years after her much-praised Unsung Voices, Carolyn Abbate has produced another important literary investigation into opera. What sets it apart from the burgeoning canon on the same subject is the sensitivity of its writer to opera's contrasts and contradictions. Her abstract imagination and focused, economic style are able to express what she calls the connection between opera's 'metaphysical flight and the fall to earth'. . . . Through the pieces themselves, we get a picture of intersecting relationships--between composer and performer, sound and body, story and symbol. . . .Many of the most problematic aspects of opera are explored through the pieces themselves, and her transparency of style allows the reader to continue thinking long after the discussion is over. As with all the best books, I am left applying Abbate's process and themes to many other pieces and in many other contexts long after I have finished reading. --Julia Hollander, Opera Now Anyone who believes in opera as an essential human experience will warm to this book, a must-have if you believe that this bizarre art form has something more to sing about than the trillings of bejewelled prima donnas and the positively necrophiliac yearning for the presence of long dead musician. --Keith Warner, BBC Music Magazine