""Ms. Ruhl, the gifted playwright whose work has been characterized by a mixture of the feminist and the fabulist that finds a natural echo in Orlando, modestly cedes the stage to Woolf in this economical adaptation of Woolf's 1928 novel... The stage Orlando faithfully recreates the incidents Woolf uses to illustrate her ideas about the fluidity of gender and identity, and the great mysteries of time.' - New York Times