Kate Atkinson won the Whitbread (now Costa) Book of the Year prize with her first novel, Behind the Scenes at the Museum, and has been a critically acclaimed international author ever since. Her bestselling novels featuring the former police detective Jackson Brodie, Case Histories, One Good Turn, When Will There Be Good News? and Started Early, Took My Dog, have been adapted into a successful BBC TV series starring Jason Isaacs. She was appointed MBE in the 2011 Queen's Birthday Honours List.
As in Behind the Scenes at the Museum and Human Croquet, Atkinson once again uses all her sorcery with language to bedazzle the reader. In essence this is a simple story. Nora and Effie (who might be mother and daughter) are living on an otherwise deserted Scottish island. They are the last of the line of Stuart-Murrays. Student Effie is recuperating from a nasty bout of flu and to relieve the tedium of rainy days and long, dark nights, they tell each other stories which might, or might not, be true. Nora's, brief and uninformative to begin with, are about the family's past ('Grand Guinol, with a pinch of Greek Tragedy'). Effie's graphic, satirical stories are set in the 1970s and revolve around student life and her shiftless friends - interspersed with chunks of her Writing Assignment, which rapidly turns into a crime novel. As always, the story is overflowing with invention, marvellous descriptions, and laugh-aloud jokes. This is, in fact, a novel with a life of its own - a book one could easily be persuaded 'wrote itself' - though on reflection it is carefully controlled, and has its own logic. And at the end all is revealed and all loose ends firmly knotted. There are many loose ends. Who is Effie's father? Who, indeed, her real mother? Who were Nora's parents? Who is following Effie when she's in Dundee and for what reason? Why are so many old people dying in the local retirement home? Don't worry, all will become transparent before the last page is - reluctantly - turned. (Kirkus UK)