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Essays in Idleness

and Hojoki

Meredith McKinney none Kenko Kamo no Chomei

$22.99

Paperback

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English
Penguin
13 January 2014
New to Penguin Classics, these two Japanese texts are timeless reflections on Buddhism, nature and the value of being idle

These two works on life's fleeting pleasures are by Buddhist monks from medieval Japan, but each shows a different world-view. In the short memoir H j ki, Ch mei recounts his decision to withdraw from worldly affairs and live as a hermit in a tiny hut in the mountains, contemplating the impermanence of human existence. Kenko, however, displays a fascination with more earthy matters in his collection of anecdotes, advice and observations. From ribald stories of drunken monks to aching nostalgia for the fading traditions of the Japanese court, Essays in Idleness is a constantly surprising work that ranges across the spectrum of human experience.
By:   ,
Translated by:  
Imprint:   Penguin
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 13mm
Weight:   169g
ISBN:   9780141192109
ISBN 10:   0141192100
Pages:   224
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Kenko was born around 1283 in Kyoto. He probably became a monk in his late twenties, and was also noted as a calligrapher. Today he is remembered for his wise and witty aphorisms, 'Essays in Idleness'. Chomei was born into a family of Shinto priests in around 1155, at at time when the stable world of the court was rapidly breaking up. He became an important though minor poet of his day, and at the age of fifty, withdrew from the world to become a tonsured monk. He died in around 1216. Meredith McKinney is a translator of Japanese literature, both contemporary and classical. She lived in Japan for twenty years and is currently a visitng fellow at the Australian National University in Canberra.

Reviews for Essays in Idleness: and Hojoki

[Essays in Idleness is] a most delightful book, and one that has served as a model of Japanese style and taste since the 17th century. These cameo-like vignettes reflect the importance of the little, fleeting futile things, and each essay is Kenko himself * Asian Student *


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