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English
Penguin
23 October 1996
Penguin Classics relaunch

A penetrating account of Greek tragedy, it demonstrates how the elements of plot, character and spectacle combine to produce 'pity and fear' - and why we derive pleasure from this apparently painful process. It introduces the crucial concepts of mimesis ('imitation'), hamartia ('error') and katharsis, which have informed serious thinking about drama ever since. It examines the mythological heroes, idealised yet true to life, whom Aeschylus, Sophocles and Euripides brought on to the stage. And it explains how the most effective plays rely on complication and resolution, recognitions and reversals.

Essential reading for all students of Greek literature, the Poetics remains equally stimulating for anyone interested in theatre today.
By:  
Edited by:  
Translated by:  
Imprint:   Penguin
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 130mm,  Spine: 9mm
Weight:   113g
ISBN:   9780140446364
ISBN 10:   0140446362
Pages:   144
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Aristotle was born at Stagira, in the dominion of the kings of Macedonia, in 384 BC. For twenty years he studied at Athens in the Academy of Plato. However he left on Plato's death and, some time later, became the tutor of young Alexander The Great.His writings have profoundly affected the whole course of ancient and medieval philosophy, and they are still studied and debated today. Malcolm Heath has been Reader in Greek Language and Literature at Leeds University since 1991.

Reviews for Poetics

Aristotle lays down a series of timeless rules regarding plot and structure. Some of what he says may seem self-evident - he defines, for instance, the beginning of a tragedy as that which does not necessarily follow anything else but which necessarily gives rise to further action. Well, duh. Even so, I think a yearly review of Poetics will sharpen anyone's writing. And, hey, if you're going to break the rules, you might as well know which ones you've violated. A writer who can explain the 'why' of a transgression is forging a version of his or her own personal Poetics. (Kirkus UK)


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