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Strangers on a Train

Patricia Highsmith

$24.99

Paperback

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English
Vintage
15 October 1999
The classic thriller behind the Hitchcock film - soon to be remade by David Fincher, director of Gone Girl

The psychologists would call it folie a deux...

'Bruno slammed his palms together. 'Hey! Cheeses, what an idea! I kill your wife and you kill my father! We meet on a train, see, and nobody knows we know each other! Perfect alibis! Catch?''

From this moment, almost against his conscious will, Guy Haines is trapped in a nightmare of shared guilt and an insidious merging of personalities.
By:  
Imprint:   Vintage
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 16mm
Weight:   192g
ISBN:   9780099283072
ISBN 10:   0099283077
Pages:   256
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Patricia Highsmith was born in Fort Worth, Texas in 1921 but moved to New York when she was six. In her senior year she edited the college magazine, having decided to become a writer at the age of sixteen. Her first novel Strangers on a Train was made into a famous film by Alfred Hitchcock in 1951. Patricia Highsmith died in Locarno, Switzerland in 1995. Her last novel Small g: A Summer Idyll was published posthumously just over a month later

Reviews for Strangers on a Train

The sphere of suspense for the story of a strange, parasitic attachment and the unbelievable events which follow. Guy Haines, on the way to Texas to divorce his wife Miriam so that he can marry Anne, is picked up by Charles Bruno, an alcoholic and a maniac, who suggests to him that he murder Miriam- in exchange for Guy's murder of the father he hates. Dismissing this at the time, Guy later finds that Miriam has been murdered, and he is haunted by the reappearance of Bruno, threats, letters. Guy, composed and reputable at the time, is finally worn down by guilt, fear, sleeplessness, and he commits the murder that Bruno lays out for him. Never free of his conscience- or of Bruno-Bruno's accidental death is the impetus for Guy's eventual confession.... All of this seems quite unreasonable. (Kirkus Reviews)


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