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Notes From Underground

Translated by Richard Pevear & Larissa Volokhonsky

Fyodor Dostoevsky Larissa Volokhonsky Richard Pevear

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Russian
Vintage
07 December 1993
'Notes from Underground establishing Dostoevsky's reputation as the most innovative and challenging writer of fiction in his generation in Russia' Rowan Williams, Guardian

FROM THE AWARD-WINNING TRANSLATORS RICHARD PEVEAR AND LARISSA VOLOKHONSKY

Dostoevsky's genius is on display in this powerful existential novel.

The apology and confession of a minor mid-19th-century Russian official, Notes from Underground, is a half-desperate, half-mocking political critique and a powerful, at times absurdly comical, account of man's breakaway from society and descent 'underground'.
By:  
Translated by:   ,
Imprint:   Vintage
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 130mm,  Spine: 12mm
Weight:   130g
ISBN:   9780099140115
ISBN 10:   009914011X
Pages:   176
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Born in Moscow in 1821, Fyodor Mikhaylovich Dostoevsky is regarded as one of the greatest writers who ever lived. Literary modernism and various schools of psychology and theology have been deeply changed by his ideas. He died in 1881 in St Petersburg, Russia. Richard Pevear and Larissa Volokhonsky were awarded the PEN Book-of-the-Month Club Translation for their version of The Brothers Karamazov. They are married and live in France.

Reviews for Notes From Underground: Translated by Richard Pevear & Larissa Volokhonsky

You read every shimmering, tormented word, mesmerised. This is Dostoevsky in distillation, a prelude not just to his leading works, but to the entire 20th century... How is it possible to have a character who evokes aspects of Hitler and Pooter, who is hilarious yet disturbing, and both villain and victim? Because Dostoevsky was a genius, and the narrator of Notes From Underground his most protean character, with whom you never quite know how you stand Sunday Times Dostoevsky's is a genuinely disembodied voice, speaking for all sufferers and victims Guardian


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